The Waves of Change
are so small, I can’t make
them out, even in space
between my wet face and
the mirror, where you’d think
all would be obvious
as goldfish
swimming in my daughter’s
tank, not yet
plopped in the bowl
as she prepares
his coming, her treasury
of downed plane and sea
grass, her painting of fruity
fish draped on his back
window like a promise
Legacy
Nineteen paintings tell me
you are gone -- canvases, and still
unframed watercolors at Goodwill,
Valerie Miner in the lower corner.
You painted a sprig of violets
that hung beside my grandmother’s
bed, yellow centers
nubby as chenille. Remember?
When she died, no one knew
their story. Too practical
for paintings, she permitted
only your violets in her house.
I once commissioned a golden
Kansas field with farm and outhouse,
thinking it would take her back.
She said the clouds are wrong.
They don’t have clouds like that
in Kansas. I lift your thousand-
petalled mums and asters, step
gingerly in the cool creek
beneath birch and aspen, revel
in your opal and ruby skies.
I will take you home, make room
for how you dreamed the world.
Bionote
Carol Barrett holds doctorates in both clinical psychology and creative writing. She coordinates the Creative Writing Certificate Program at Union Institute & University, and also teaches in the Creativity Studies program at Saybrook University. Her books include Calling in the Bones, which won the Snyder Prize from Ashland Poetry Press, Drawing Lessons from Finishing Line Press, and Pansies, a work of creative nonfiction, from Sonder Press. Her poems have appeared in JAMA, Poetry International, Poetry Northwest, The Women’s Review of Books, and many other venues. She lives in Bend, Oregon.
No comments:
Post a Comment