Darkening Grant Park
I desired to reach
and hold her small feet
—a nearby stranger’s
rather the night had three stars
and decreased traffic swallowed
the first summer’s wind
its tongues indecisive
at their gasps
Cleaving to this Considered
I can’t remember recent days where I didn’t run from rain
but that only lasts for so many hours
the sweet of wetness prolonged by red cedars
faraway tops of trees, fog
planes and a patient swivel until breaking water for merely arrival
I already familiar with the afternoon orchestra
and not because of past lives
storming soon lost among mountains
it is time
to walk in this unusual drowsiness
Howard and Sheridan
This is what a rainstorm is like
arriving in segments
I’ve even forgotten the splintering
it makes on rooftops
this is what it’s like to have someone
at the side of hands
to have us be the last awake
our chests lit by lightning
and the Marathon gas station
this is too late for criminals
yet the birds have settled on song
this is the blue before sunrise
the moments of being able to only see
last waves from Michigan to concrete
the drops, the mud, the touch
our acting as puzzles
and this walk to another train station
this is what feeling is on a Friday morning
this is breathing without music
Bionote
Joris Soeding’s most recent collections of poetry are Forty (Rinky Dink Press, 2019) and Home in Nine Moons (Clare Songbirds Publishing House, 2018). Soeding’s writing has appeared in publications such as Another Chicago Magazine, Columbia Poetry Review, Concho River Review, and Red River Review. He is a 7th/8th grade Social Studies teacher in Chicago, where he resides with his wife, son, and daughter.
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