Friday, 5 May 2023

2 Poems by Philip Kobylarz

iodine-esque

 

 

Ingredients. Jet streams. The wherewithal. Ineptitudes of a sudden nature. Shades of shade. Not

                                                                                                            to be. Perpetual

eclipses. Pink angora hat. Verbiage left on the scrabble board. A wound opened, bled,

                                                                                                            wiped with vinegar.

Chrysanthemums of the sea. The shock of after. In the magpie's nest, cigar bands. And the moss,

                                                                                                            resisting; red.


obscuriting

 

 

 

As of yet, untitled. The naming of the wind. One such none such. Orange and white

                                                                                                            compliment of a dreamsicle.

The parade: one after another sponge. What doesn't fit into cardboard boxes we call

                                                                                                            furniture. Postage not

canceled. Windings of a clock. Garden fenced by tiny boulders, otherwise known as rocks.

                                                                                                            Burden of empty milk

bottles. Stasis of the guard. The worst of times, around when o'clock. Tree obscuring

                                                                                                            the light of clouds.


Bionote


Philip Kobylarz is an itinerant teacher of the language arts and writer of fiction, poetry, book reviews, and essays. He has worked as a journalist, a film critic, a veterinarian's assistant, a deliverer of furniture, and an ascetic.

 

2 Prose Poems by Laura Carter

1.

A negative seals interiors together. This world sees. Once adept with symbols, a narrator reinvents a city of white donkeys because a boy from Ohio went missing. He has not yet lost his leg. Perhaps they were friends. One on an opposite coast hints at a beginning. You take it for what it is. There is no sun left in me. He seems poorer now than when you knew him. Old scenes were repetitive. You learned to love that way.


2.

This is not quite an address. You want to tell girls with a dark turn of mind about light. You want to tell those with bright morning eyes about dark. Each divides her time into what once was known of fruit, rests, remainders.


Bionote

Laura Carter is a poet and teacher living in Atlanta, GA, where she completed her MFA in 2007. She has since published several chapbooks, and numerous poems and book reviews. She enjoys hiking and has a cat named Zoe.

3 Poems by K.S.Y. Varnam

RULES

for reading my poetry:

do not assume
that you is singular

we is constant

the is only.

soft can be hard;

curves can be sharp.

love blooms in all seasons
and kisses the thorns.


FLOAT

i.
Intermittent night voices

knit with unmoving limbs

skin to skin, the thin space

between skeletons


hollows

where hearts nest

beating calm

against death.

ii.
I remember glass jars

in blue-grey light,

a concrete floor, a room

half-submerged,

the jars for preserves.


I imagine standing barefoot

in my grandparents’ cellar room.

This is mortality, to touch

an empty jar

and watch the warm imprint

recede into itself.

iii.
When you are dead,

your bones will not know

their own shapes.

You’ll never know

your stripped self.


AGED

Prayer filled fear like warm wine, rich

with the full-bodied flavour of faith.


Now bottles run dry

and thoughts turn sour.


Washing dishes, fingers slip:

a long open vein in a glass.


Skin snags on shards;

vinegar stings chewed lips.


I try to refine my palate, to know

what flawed paradigms taste like


—perhaps slightly too sweet,

with an aftertaste of salt and iron.


I still bite.


Bionote

K.S.Y. Varnam is a queer, neurodivergent, and disabled Toronto-based writer, artist, and editor, as well as the founder of The Quilliad Press. They share a bedroom with two mischievous parrots, Riff Raff and Mr. Wobbles. Their work has been published by several journals, including Hamilton Arts & Letters, Metatron, The Quarterday Review, Breath and Shadow, CRUSH, and Transition Magazine.




2 Poems by Ana Pugatch

WINTER LIGHT

When the wind picked up it formed a path
sometime after ten. We were never lonely then
and followed the night air’s channel.

In the pitch-dark we found our body
of water. While fishing I hoped we caught
nothing—even though we wouldn’t see

the blood reddening the snow. I loved
the slush, one blackhole, axing our way
to sky / water / stars, how the ice broke

beneath us. Instead of sinking we drifted
away on the thickest slab, puffing the air
but seeing no breath, shadow-pines

staining the river. Like the wind
my mind goes many places; it’s hard to sleep
when the floating world owes you nothing.

In the morning our ice drift arrived
at an old barn, with barbed wire gnarled
between bent poles, and mountains: a stiff blue.

Snow sagged the barn’s roof. Thousands
of berries were gleaming red, like
the blood of once-caught fish.


ESTRANGEMENT

She came from California, my aunt
(not my aunt). Her eyebrows were ferns
in the watered mirror. Hair waist-length,
another lump on the edge of her scalp.

I was told she looks like you, I was told
she had a tumor (in time removed)
as a child. In the brain, a strange
new coral. A fungus whose bands

bloomed outward in spring. Hard
calcite cracked from the cave, moss
plucked off from shallow roots.
She never was the same, left home.

Saturn is dark in the door’s thin frame.
Another orbit, (the same) small moon.


Bionote

Ana Pugatch is a Pushcart-nominated poet. She received her M.F.A. from George Mason University, where she was awarded the ’20- ’21 Poetry Heritage Fellowship. Before then she lived in Asia, teaching English in China and Thailand. Ana’s work has been featured in journals such as Literary Shanghai and The Los Angeles Review. Her first book Engrams will be released by Redhawk Publications in 2022.



2 Poems by Lynn White

Happy Endings

It’s said many a story has a happy ending,

but I doubt it,

not in the end.

”To cease upon the midnight with no pain”

is the best that

can be hoped for

and it seems rather a melancholic take

on happiness.

There may be a few brief encores,

perhaps more

than expected,

but when the final curtain falls

that’s it

your performance is over,

you’re done.


And you won’t be invited to the after show party

even though your presence may be felt.

First published in Literary Yard, October 2020


Far Horizons, Distant Dreams

Once the light shone so brightly

that time and distance stretched for ever,

the horizon at infinity strung with the pearls

of distant dreams.

And in between

a hinterland

of possibilities

just waiting to be grasped.

But then, as the light dimmed,

time and distance collapsed inwards

dragging the horizon closer

a hinterland

of rubble

in between,

the spent remains

of possibilities

uncompleted

or untried.

Only the dreams stretched further

beyond the horizon now

in the fading light.

Soon I’ll reach them

and perhaps discover myself

as part of someone else’s dream.

First Published in Lion And Lilac, August 2021


Bionote

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award.
Find Lynn at: https://lynnwhitepoetry.blogspot.com and https://www.facebook.com/Lynn-White-Poetry-1603675983213077/

2 Poems by John Tustin

BOUGHS

My arms heavy, aching with the time
And fallen at either side
The way that boughs creak and dip,
Heavy with the accumulation
Of the rain.


DIMINUENDO

Such is life,
once promised to be
a big brass band
with all the bells and whistles,

all the songs never played and

now winding down
in ever-increasing
diminuendo

smaller than
the sliver of a fingernail;

slighter than
a flake of dandruff
on the pillow;

lighter than the din of
the throbbing sticky forelegs
of a housefly
rubbing together

just before the last moment
in his month of living
comes to pass.


Bionote

John Tustin’s poetry has appeared in many disparate literary journals since 2009. fritzware.com/johntustinpoetry contains links to his published poetry online.

2 Poems by Kellie Scott-Reed

Cherry

At the conclusion of a cold, dark winter,

And a wet spring,

In the produce section

Sit mealy apples, ragged oranges

Sadly waiting for purchase

And then-

there are miles of them.

The mouths of the plastic zip lock bags

heavy duty,

Bursting with the fruit of a tree

From Washington State.

Black/ red and overpriced.

Cherry season doesn’t come,

It explodes.


My hand shakes with the weight

As I lift the bag onto the conveyor.

I tell the cashier, when she scoffs

At the fifteen dollar ring-up

I’d pay a million a pound

If I had to.


The first bite, cold and hard from the fridge,

The puncture.

The firm skin between my front teeth,

The unexpected honey of the first pick,

Eruption!

I roll my eyes

And say,

“Oh. My. God”


Every. Single.Time.


You laugh, never tired of hearing me

In ecstasy,

No matter what the reason.


There, in a handful, is all of my joy.

And the pits are part of the fun.

I roll them around systematically

In my mouth

Wasting no meat,

Standing over a garbage can

That smells faintly of rotting vegetables

Spitting them out eventually.

We all move on

From the things that get in the way

Of sweetness.


And it comes too quickly,

The end of it all.



Fable

I’m running out of stories about him.

That feels like the worst thing

you can say about someone.

Such a short time collect them.

We’d see each other on the weekends.

Raised children at

each other’s homes.

And when you die young, and in such a way

that the mystery becomes the explanation.That’s what happens.

You become a fable.

The last line,

the most important thing in the world.


I recall now, glimpses of the day

but I could be remembering a reflection.

A little backward and confusing,

I still try to match my movements with the image.

What I told the officer, that

jangled and clumped his way into the living room,

still fresh in the terror;

Is that what happened?

Is it just the plot of the movie

I watched about the doting father

living a secret life

who disappeared one morning after

telling his wife he loved her?


The lessons learned:

don’t have money problems,

don’t have a marriage marred with strife,

don’t be too eager, don’t be too aloof.

What you’ve hid in your terror,

their fuel,

and to explain in the perfect words, your total innocence

Is all part of the total iviseration of the truth you believed.

Little red riding hood

her big trusting eyes.

The grandmother.

The Wolf

with his big fucking teeth..


So here is the last story:

They found him a day later

a corn field, shot in the head,

in the last desperate days of a wet, cold autumn,

the leaves so yellow, they glowed.

Twisting and twirling down,

with the breeze,

loosed from their mother

by the heavy cold rain drops; some were found in his hair.

No gun, no suspects; accept him.

Nine years later,

I think two things aloud:

Thank God they found him

and

What an odd thing to say.


Bionote

Kellie Scott-Reed songwriter, writer and AEIC of Roi Faineant Press. In spite of her cheerful disposition, she is fascinated with the dark side of humanity, and most of her written work is an investigation into her shadowy side.Her work can be found in Synchronized Chaos, Eratio Post Modern Poetry, Roi Faineant Press, music reviews at Punk Noir Magazine, and a piece in the anthology from OutCast/Anxiety presses, and Bullshit Lit in February 2023. Her songs can be found on iTunes and Spotify, under the band name Fivehead. The press can be located at roifaineantpress.com, where she conducts interviews with authors from all across the world.

10 Photos by Shen Jian

 












Artist's Statement

I explore and enjoy the world through light, shapes, and colors. Through my photos, I share my perceptions of nature and its beauty. Birds have a special way to capture my fancy when I'm out enjoying serenity during my leisure time.

Bionote

I was born and raised in Shanghai, China. I have been working as a research engineer for over 20 years in Singapore. As a self-taught photographer, I find joy in visual arts more than in scientific research.




2 Poems by Mark Goodwin

Headless Hunter

To best give tongue requires your getting ahead of the rest of the pack. – Lord Glost


his boots as brown as oak-bark

his jodhpurs soft


                          white as morning mist


his gold buttons stamped

with flowery fs-for-fox

his scarlet cutaway coat

flows & drips over

                          his flesh & bones


his black top-hat’s

swirling nap gleams

like moisture

                          on a dog’s nose


his fists clenched

his veins raised

his fingernails

                           black-rimmed


his severed neck

bandaged tightly

with a white cravat


pinned with a silvery

                         thread of brains



Darkened Room

there’s nothing alive in here except you


although a clock calls to its mate

on the other side of time and reminds


you of the rhythms of the living


barefoot you edge forward

expecting a toe to be smashed


stamped on by some ox of an armchair


you try to stare through the room’s

opaque black air


but there’s only bloody beast-shapes & odd


sharp swirls of imagined light grate

across your retinas


somewhere there will be a door


and of course corners

where space like different seas merges


in this dark the dead-ends of corners seem

to go further than open doors


perhaps traces of hope linger in the right-angles


there is a new smell coming from deep within you


a standing lamp clatters against your neck

its flex wrapped round your ankle is reptile


you’ve left your hands crawling on a wall


the lamp that could shrink this room to a lit finite

with a hot thought in its head


is a dark figure more human than your self


Bionote

Mark Goodwin is a poet-sound-artist & fiction-maker who speaks and writes in various ways. He has a number of books & chapbooks with various English poetry houses, including: Leafe Press, Longbarrow Press, Nine Arches Press, Shearsman Books, & also Middle Creek in North America. His latest chapbook – to 'B' nor as 'tree' – was recently published in Sheffield by intergraphia ( @intergraphiabks ). Mark lives with his partner on a narrowboat just north of Leicester, in the English Midlands. He toots poems from @kramawoodgin@zirk.us, tweets poems from @kramawoodgin, and some of his sound-enhanced poetry is here: https://markgoodwin-poet-sound-artist.bandcamp.com

my books
Erodes On Air . https://www.middlecreekpublishing.com/erodes-on-airLake-Skin As Eye . https://www.poetrybooks.co.uk/products/lake-skin-as-eye-by-mark-goodwin  
Rock as Gloss . https://markgoodwinrockasgloss.wordpress.com
Else . Back of A Vast . Layers of Un . House At Out . All Space Away and In .  
https://www.shearsman.com/store/Goodwin-Mark-c28271739 Steps .  http://markgoodwinsteps.wordpress.com/
Portland : a Triptych, with Tim Allen & Norman Jope . https://www.knivesforksandspoonspress.co.uk/product-page/portland-a-triptych-by-tim-allen-norman-jope-mark-goodwin 
Distance a Sudden . http://longbarrowpress.com/current-publications/mark-goodwin/
Tones Fled All .  http://www.leafepress.com/catalog/goodwin/tones.html
Shod .  http://fiveleavespublications.blogspot.co.uk/2011/06/there-is-no-doubt-that-that-shod-by.html
Clause in A Noise . https://issuu.com/alecnewman/docs/clause_in_a_noise_by_mark_goodwin
my poetry on Twitter: @kramawoodgin
https://twitter.com/kramawoodgin 
my sound-enhanced poetry 
https://markgoodwin-poet-sound-artist.bandcamp.com/

2 Poems by James Croal Jackson

The Bird an Echo

Above me, wing soundwaves visible, a flapping
back to easier days, a communal grass I could
not know I was missing, but did. Voices in my head
clamor for them, always, from windows in the bathroom,
the glowing lights’ buzz, this temporary body, not simply
the hands washed, nor the heart, the mouth, the tongue,
each breath, each thrill, each paper airplane landing on
its own brown rectangle of nothing.


On Earth, We Travel a Thousand Miles Every Hour
For David and Anna

Rain is never insurmountable,
and the sun never gets old,

though we plan to, together,
to grow with green things

sprouting at our feet. We
watch new trees become

wise while the landscape
shifts, as it must, and though

Earth spins briskly– almost
beyond what we can fathom–

it has order, being as small
and in love as we are.

We stand on our plot
of land, firm though

flung through time and
space, the universe we

made forever expanding.


Bionote

James Croal Jackson is a Filipino-American poet who works in film production. He has three chapbooks: Count Seeds With Me (Ethel Zine & Micro-Press, 2022), Our Past Leaves (Kelsay Books, 2021), and The Frayed Edge of Memory (Writing Knights, 2017). He edits The Mantle Poetry from Pittsburgh, PA. (jamescroaljackson.com)


2 Poems by James K Beach

Even 2nd graders like the (c)

Even 2nd graders like the (c) attached to their own names, according to a recent Library of Congress publication. They did an indepth inperson study of that gloaty wisdom for the LOC plus George Washington's intellectual property bill. ("They" being unspecified in the article.) Indeed.


Canon of Heroes

I've gotta watch somemore (s'more?) foreign movies. Taking a detour from B'way/Canyon of Heroes (Heros?) to the New Amsterdam public library I came to speculate if the GenX era mom or grandmom with two teen- or college- age boys ever starred in a foreign film from Spain or maybe France (she spoke French?) that might've made it into the American film Canon. The youths are attractive yet new faces.
Canon of Heroes.
Thinking now of campfires
dusk all round
stars above
cicadas nearby
marshmallows with chocolate under graham crackers


Bionote

JAMES K BEACH opted to overindulge in poetry and lit before discovering that bohemian professions are a bit more challenging and dangerous than they appear... But anyway. Talking risks is a risk, as anyone knows. Since 2002, he's used his Bachelor's in Writing to amass 150+ journalism bylines in 20 venues, manage as editor at AWAREing Press, and do related tasks in publishing. Currently he's working various temp jobs in the USA, looking at graduate schools, and considering the significance of mating young. CREATIVE WRITING CREDITS: Antique Children Journal, Blue Monday Review, Danse Macabre Online, The Exhibit Literary, Jivin' Ladybug Journal, Mad Hatters' Review, Paraphilia Magazine, Poetry Pacific, Smokebox Commentary, Warhol Stars UK, Wood Coin Magazine, and others.

2 Poems by Emma Lee

Sunlight North Dublin


Squint-inducing sunlight

stops me here momentarily

looking up at a tenement block.

Damp baby sleep suits, teenagers’ jeans,  

mum’s skirts hang on improvised  

washing lines on thin balconies.

Each floor sinks into the one below.

Each wall home to graffiti tags.

Rubbish stirs in the breeze.

The sunlight seems stronger

for being squeezed in the gap

between this block and a stark silhouette

of a city-grime encrusted church

putting these lives in shadow.


  
Retreat

There was no big bang

just a series of small ones

in his morning’s kitchen clattering and curses

that moved the cats to retreat.

 
Two pairs of green eyes watched her

close the door between them.

Before providing comfort

she stabbed at the stereo’s buttons

for the radio to give

a sheen of anti-listening.


Bionote 

Emma Lee’s publications include “The Significance of a Dress” (Arachne, 2020) and "Ghosts in the Desert" (IDP, 2015). She co-edited “Over Land, Over Sea,” (Five Leaves, 2015), was Reviews Editor for The Blue Nib, reviews for magazines and blogs at https://emmalee1.wordpress.com.

2 Poems by Colin Ian Jeffery

She who gave life purpose


She who gave life purpose

Took my heart by storm

Made my Muse sing loud

Bathed my soul with love.


She gives each day meaning

Enhancing every minute

Banishing the darkness

Giving light showing me the way.



On reaching old age


Time is fleeting in its passing

And does jolt the memory

Recalling images of long ago

When life seemed to stretch far away

Safe from Death’s stalking shadow.


As a child I thought as a child

Seeing only bright summer days

With friendships I thought to last forever

And parents who could never die

Old age a distant foreign land.


Now walking the land of the elderly

Old bones and old man troubles

Wondering how long before Death

No longer stalks but claims me

And time is no longer fleeting and stops.


Bionote

Colin Ian Jeffery is a modernist poet, a movement with development of imagism stressing clarity, precision in the economy of language. He has a strong reaction against war, tranny, oppression of the truth, while unlike other poets in the modernist movement like Dylan Thomas and Ezra Pound he has a profound faith in God.

4 Poems by Gershon Ben-Avraham

Broken Hearts Heard Rattling

I awake at dawn, fresh from dreams of you
robed anew in the limpid dew of youth,
your scent asleep, buried in the pillow
beside me; my cracked heart dead within me.

Like a bird alone on a rain-wet roof,
I cry to all who’ll listen; not loudly,
but softly, as the sound of autumn leaves
blown by an easy wind across a lawn.

Unexpected, this growing old—outworn,
solitary, almost beyond bearing.
Yet, even the most loving lovers part,
their broken hearts heard rattling within them.


He No Longer Seeks Cures

He no longer seeks cures,
the repair of broken things.
Healing lies in peace, in
flying with injured wings, in
walking with a halting
gait yet still rejoicing in
the journey. But what when
this ends? To lie quietly,
as best he can; to feel
the soothing touch of a hand,
the hand of one he’s loved,
loves, will love, till his breath stops.


On Listening to Schubert

A voice so beautiful it was almost lonely.
—Yasunari Kawabata, Snow Country


The sounds found me seated alone,
in the midst of shadows,
with a stiffened back,
my eyes lightly closed.

Such strangeness—
lungs pushing air
through shaped lips,
wounding from a distance.

Walking home, I kept repeating.
“Sounds, they were only sounds.”
Yet such wounds they made—
I could not stop their bleeding.


The Marriage Bed

It was through a thin, smooth skin that man loved.
—Yasunari Kawabata, Snow Country


On my back, in darkness, I hear the slow,
steady breathing of the woman. I turn,
and my skin brushes hers softly, gently.
Just this. A whisper. A feather. A kiss.
Her wakened soul floats to her skin’s surface,
seeks, finds, and pulls my heart into her own;
surrounds it, a shell covering a pearl
perched on the edge of a sandy, sea-washed,
weary world. I sleep to the sound of waves;
depart at dawn, slowly. I slip through her
valley of perfumed breasts, reluctantly,
like the first man, leaving Paradise, still
laden with the sweet, sweet scent of Eden.

Bionote

Gershon Ben-Avraham’s work has appeared in Big Muddy, Image, Poetry Pacific, Rappahannock Review, The Agape Review, Tipton Poetry Journal, and other literary publications. His short story “Yoineh Bodek,” (Image) earned “Special Mention” in the Pushcart Prize XLlV: Best of the Small Presses 2020 Edition. Kelsay Books published his poetry chapbook God’s Memory in 2021.

1 Poem by David Alexander Brown

Loving You

Uncomfortable,
Unexplainable,
Unmanageable at times...

I cannot tell you of all my wonderings,
Look at me,
Here I am sitting by the phone,
Thinking of our last conversation,
Without words to properly say in my heart-of-hearts,
Why...

Obsessed with you:
Your smell,
Your taste,
Your smile,
Your tears,
Wanting always to draw you near;
You are this abnormality
That confuses my heart and mind...

Yet,
We share this space in time,
This passion,
This drama we call our lives...

It is disturbing,
Uncomfortable,
Unexplainable,
Down right unmanageable at times...

Yet,
I search for you,
I long for you in my life...

Here is the question of all questions I have for you my dear,
Why?


Bionote

I was born and raised in New York City and joined the United States military when I was just 17 years old. I served my country for 24 years and retired the United States Navy Chief Petty Officer.
I relocated to North Carolina have to being sick for long period of time with service related illnesses. I spent my recovery time writing and I discovered that I have a love for the written word.
I love riding poems about human emotions, the silent screams that feel all hearts, our minds and our souls throughout our lives.
There are so many unspoken words that we share amongst each other every day. I love to describe that which is often thought to be indescribable.
Fears, desires, wants and heartfelt screams that can only be heard by your soul. Things that can only be experienced with tears and deep felt sorrow, uncontrollable laughter and moments a passionate joy, it's the power of the written word. I enjoy the written word.
I have a series of poems called silent scream, most wanted heart and view from within.

2 Poems by Mark Andrew Heathcote

Cosmic Forces

Nothing is ever really empty
even the darkest void is wanting to-be-filled
like a tear, a black hole in space
seen in reverse is a gateway to the stars?
Nothing ever remains empty for long
even a deliberate manmade-void
in a science lab will unleash atoms
incoming enticing the other to collide
perhaps it's all just a courtship dance
there isn't a puddle where the ground is level
like balls and skittles, we-are-designed
to fall down but equally, get up again.
The game is not to win or surrender
it simply means we should never give in
we should all just-keep-on playing.

Virgin snow that hasn't been penetrated

Would I sing for a meal?
made of snow and ice
that will melt within seconds
and not for an instance suffice.

This-is-how a night with you might be
physically satisfying maybe
or maybe not, maybe wintry
or like a hot running Epsom salt bath.

But I guess I’ll never know
because I don’t want to be
those first footsteps in the pristine snow,
a nebula that will-never-more after glow.

Once you leave, walk through fields
abundant with sapphires
wet with morning dew,
viewing wildflowers other than me-and-you.

Bionote

Mark Andrew Heathcote is adult learning difficulties support worker. He has poems published in journals, magazines, and anthologies both online and in print. He resides in the UK, and is from Manchester. Mark is the author of “In Perpetuity” and “Back on Earth,” two books of poems published by Creative Talents Unleashed.

1 Poem by Ray Greenblatt

AT THE CENTER

The club is swinging tonight,
your gossamer gown gorgeous
coiffure a cloud
my bow tie strung just right
can see myself in my shoes
the beef hot and juicy
vegetables fresh off the cart,
the horns melt bending notes
rhythm guitar follows tracks
of singing rails
drums cooking with those
big ladles pounding,
we twirl and twirl
did and dip
our smiles reflected in chandeliers
this is the center of things;
hard to believe after hours
the band will splay out to
dank rented rooms
on down-trodden streets
the beat lost
energy imploded.

Bionote

Ray Greenblatt’s newest collection of poetry is FROM AN OLD HOTEL ON THE IRISH COA ST (Parnilis Media, 2023).He has written book reviews for the Dylan Thomas Society, the John Updike Society, and Joseph Conrad Today. HIs poetry has been translated into Polish, Greek, and Japanese.

1 Poem by Seth Copeland

South Padre ’98

I remember a family vacation in Texas,
eight years old in a hotel pool after dark,
looking up at the light in the clouds
reflected dull & smokey like old lamps.
My feet were pruned and raw
on the pool’s rough bottom,
craning to take in industrial sky over
the chlorine glow and walkway
lights, an old god scowling
over our Christmas in summer.
These moments do not make it
into photo albums.


Bionote

Seth Copeland currently teaches, tutors, studies, and writes in Milwaukee. His work has appeared in Drunk Monkeys, Kestrel, Dream Pop, Afternoon Visitor, and Yes Poetry, among others. He is the current poetry co-editor for Cream City Review and the founding editor of the text/image archive petrichor.

1 Poem by James B. Nicola

Spiral 2

As I expand
I condense; and

While I live, I’m
Dying, in time.

An arrow rives
My soul, or heart

Right through,
And out both ends:

One way, toward forever;
The other, into me—

And strangely,
Interchangeably.


Bionote

James B. Nicola is a frequent contributor to Poetry Pacific and the author of seven collections of poetry, the latest being Fires of Heaven (2021) and Turns & Twists (2022). His nonfiction book Playing the Audience won a Choice magazine award.

1 Poem by Gabriella Garofalo

***
Okay, now ask yourself where your fever’s voice ended up,

As she wouldn’t leave with the days you asked in-

Oh, and why you didn’t hand her over to sistrum,

Or frantic maenads who only speak the body,

That foreign language only the sky can grasp,

A nice trick to shame blue into white,

And sure, you dabble a bit in that idiom,

But as heaven is just a teen, he’s got no clue

About your whims of lost crops, blind stares

When nestled among ancient stones

Your places keep drowsing, impervious

To skies, gales, water-

Now look, he’s yielding to wrath

While all lost words leap on food,

On barren limbs hard like mothers-

So, your last hint to her goes like this,

Stop sowing light, if heaven doesn’t care,

And dreams of a different job,

‘Cause shapes will draw near in a wink,

Good, evil, whatever, at least they’re not

Still stones from towers, arcades, or your first wish-

And may your words never sound clipped,

As if scared of the unrelenting sun, of insects going berserk,

While young suburban matrons keep musing

Over ontology issues, think being and nothingness,

And the moon is coldly staring, impatient for her night shift

To be over at last.


Bionote

Born in Italy some decades ago, Gabriella Garofalo fell in love with the English language at six, started writing poems (in Italian) at six and is the author of these books “Lo sguardo di Orfeo”; “L’inverno
di vetro”; “Di altre stelle polari”; “Casa di erba”; “Blue Branches”; “A Blue Soul”.

1 Poem by Greg Field

Speak


Say them

Say the words

Say the words that make the sun shine

Say the words that bring the night

Say the words that spill the blood

Say the words that ease the fight

Say

Say them

Say the words

Say the words with your throat

Say the words with your lips

Say the words that crease your heart

Say the words now before we start

Say

Say them

Say them with your tongue

Say them with your teeth

Say the words

Say them

Speak



1 Poem by Alexa Murray

Ohio

In the photo I am small, hair
disheveled, in a glossy blouse
and black dress pants, looking
out over the grey fields, juxtaposing
the smallness of childhood
with the vastness of the world.

It was a fine place to grow.
Back home, the hills rolled down
to the trees, the lake, and beyond
the highway whirred gently
behind the soundwall.
At night, the sky
burned red above the jagged tree line
and the deer came out to nose
their heads above
the concrete porch.
The pool out back was too
abandoned and mossy and filled
with life to use, but the expanse
of the front yard was open for kite
flying on cloudy days,
field of white clover and grass resting below muddied light.



1 Poem by E. Martin Pedersen

Growth & Theft

I grow tired of listening
to my record over and
over I look in the mirror
every day driving here
to there eating and shitting
me me me
and you imaginary
or true
who are you?
do I care
do I dare
creep into another shell
hermit the crab
feel the porcelain on my back
smooth cool Mother of Pearl
can't see the aurora, taste
the grit, another's smell
I'm nearly stuck
end of luck or new
start poke my head
out to look about
I'm old, before I go
say I don't care, yet
Yes, I dare.


Bionote

E. Martin Pedersen, originally from San Francisco, has lived for over forty years in eastern Sicily, where he taught English at the local university. His poetry appeared most recently in Avatar Review, Canyon Voices, Slab, SurVision, and Helix Literary Magazine, among others. Martin is an alumnus of the Community of Writers. He has published two collections of haiku, Bitter Pills and Smart Pills, and a chapbook, Exile's Choice, from Kelsay Books. A full collection, Method & Madness, is forthcoming from Odyssey Press. Martin's poem, "Gull Eggs," was nominated by Flapper Press for the Best of the Net Award 2023.

1 Poem by Kristin Roedell

To Stop Grieving Her
(for my eldest)

Let go of what you've lost.
It's where Grace is found,
or what the Holy Ghost means,
or why the stars sometimes fall,
but still trail glorious tails.
You can put up a white marker
for every absent touch, with bones,
with ashes, with stones;
even a feather, set lightly on water
will help you lay a loss.

This is the way I learned
when the one I loved first
had gone:

Find a feather from a small bird.
Set it on the river, and let
the rippling current take it.
You may lean over the grassy bank
but you cannot pluck it out.

Then mourn, that feather
once took flight; at night
it drew close to the stars.


When it comes to the river's bend,
when it’s just a bit of light,
let that lovely child
go by.


Bionote

Kristin Roedell graduated from Whitman College (B.A. English 1984) and the University of Washington Law School (J.D. 1987). Her poetry has been published The Journal of the American Medical Association, Switched on Gutenberg, Damselfly, and CHEST. She is the author of a chapbook (Girls with Gardenias, 2012, Flutter Press), and a full length poetry collection (Downriver, Aldrich Press, 2015.) She currently serves as a poetry editor for VoiceCatcher journal. Her website can be found at: kristinroedell.wikidot.com

2 Poems by Marie-Andrée Auclair

Lineage

as long as I
collect words
thread them up
pearls on throat’s velvet skin
style sentences
to gong beat
or strum of strings
word given, same as word kept
and peel skin from words
like bark from tree
dissect their roots
grown in loamy
or rocky history

as long as I
dig for roots
I catch glimpses of mine
exhume names of my ancestral tree.


Embrace

body
sucks in
world around
through
mouth, lungs
greets
pictures, words
eyes and ears
satiation
the world around
turns up inside
absorbed
adopted
made me
made mine

then discarded
exhaled
digested
shed
forgotten
missed
longed for
like company

open
body porous


Bionote

Marie-Andrée Auclair’s poems have found homes in many print and online publications in Canada, the USA, UK, Ireland and Australia; to name a few: Bywords (Canada); Poetry Pacific (US); The Phoenix (US); Structo (UK). She lives in Canada.

1 Poem by DS Maolalai

The open naas road

pulling down
along the open
naas road and tobacco-
hot sunlight.
the world peels
behind me – a zip
pulling wake
to a fly.


Bionote

DS Maolalai has received eleven nominations for Best of the Net and eight for the Pushcart Prize. His poetry has been released in three collections; "Love is Breaking Plates in the Garden" (Encircle Press, 2016), "Sad Havoc Among the Birds" (Turas Press, 2019) and “Noble Rot” (Turas Press, 2022)

1 Poem by Peter Mladinic

Kids Change Everything

When she was eighteen she gave birth
to a son, Austin, who, his first week,
died a crib death in Arkansas. Austin’s
father, while she was pregnant, got shot
and died in her arms. Soon after telling
about Austin she added she got put in jail
for a week over his death. She didn’t talk
about him after that, and hasn’t since.
Then, at forty she gave birth to a girl
who is now five. Kids change everything.
The daughter is real, but I wonder if
there was an Austin who died like that.
Why jail? It’s sketchy. I was curious about
her criminal life. Imprisoned two and
a half years, in solitary three times for
fighting. I think she exaggerated and lied.
Did she lie about Austin? Was it really
crib death? Was Austin made up?


Bionote

Peter Mladinic’s fourth book of poems, Knives on a Table is available from Better Than Starbucks Publications. An animal rights advocate, he lives in Hobbs, New Mexico, USA.

1 Poem by Irfan Afzal

A METAPHOR’S USE

The thin epidermal skin
of your life
neat, patterned, structured.

Watch it from a distance
hold it against the sun;
it glitters, shines.

Peel it off
layer by layer
reach the bulbous deep.

Now tell what you see.
Use this metaphor to
wipe the spill, the meaning.


Bionote

Irfan Afzal is a Pakistani poet whose debut poetry collection 'Poems Lost and Found' appeared in 2022. His writings have featured in several national and international publications. He is associated with teaching profession, and is currently working with Govt. Gordon College, (Rawalpindi) Pakistan.

2 Poems by Jan Castro

Holding Down the Sky

after art by Robert Kobayashi
Small nails pin
ceiling tin slivers
into memory’s frame:
grassy fields rise
to greet
scattered clouds,
a train glides over the horizon.

A child’s eye
is holding down the sky.


Erase Race —for Jes Fan (see www.jesfan.com)

“The function, the very serious function of racism…is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language, and you spend twenty years proving that you do…There will always be one more thing.” – Toni Morrison, from “A Humanist View,” 1975 speech, Portland State University

Racism creates factions despite
evidence in biology that
race is not a category.
Your skin, mine, and everyone’s
has melanin, a pigment.
More melanin or less results in
dark to light hues (hair & eyes, too).
Even Albino is a color.
All humans are born into a range
of cultures, most mixed with
differentials in shades even from
face to sole. Skin color doesn’t
designate character or race—

it just shows.


Bionote

Jan Castro (See https://www.jancastro.com) was last seen biking in Brooklyn. Her ekphrastic tendencies stem from publications in many genres. Books include The Art & Life of Georgia O’Keeffe, The Last Frontier (letterpress poetry folio), & Margaret Atwood: Vision and Forms. Poetry has surfaced in New Letters, Exquisite Corpse, Roof, Telephone, Chronogram, and more. She was a finalist for the Black Lawrence Fulton Fiction Award and won Flash Fiction of the Month from great weather for MEDIA. Awards include the CCLM (now CLMP) Editor’s Award for River Styx Magazine, YWCA Arts Leadership Award, St. Louis, and fellowships from the NEH and Camargo Foundation. She is contributing editor for Sculpture Magazine and wrote the Afterword for the 2022 Suntup edition of The Handmaid’s Tale. (shorten this if/as you like)

1 Poem by Abigail Ly

crushing on a delusion

i wonder if i like u
or if i tell myself to
you’re so loving in my head
i wish we were laid up in bed
so we can talk about who we are
underneath the mask and scars

is this the true nature of how i feel?
am i so sure that this is real?

though i don’t know what to do
i wonder if you think of me
the way i think of u


Bionote

my name is Abigail Ly and i go to Classical High in Providence, RI. i love writing what i feel in the moment, almost like it's therapy. i also have a published poem in "American Highschool Poets 2023".

1 Poem by Terry Trowbridge

Cicada Linguistics

A cicada’s tone poem
repeats until it becomes inaudible.
Converted, unconscious, becomes time itself
texturing the ear canal, lending heft to the air.

Out of sight, the seven-year sentient jewelry
is out of reach. Cicada speaks in cycles.
Cicada’s voice pronounces onomatopoeia for
time’s passage, for time underground,
for knowing the season and counting years.

Onomatopoeia for concentration.
Whereas myself, human, recalls what year, remembers how many;
the cicada counts the years as they happen,
time being the only sensation,
is the only topic of thought.

Cicada: a language by which every verb and adjective
is derived from the feeling of time passing.
The rise and fall of their hum sounds like a rhythm of silences
divided by the audible breath.


Bionote


Terry Trowbridge’s poems have appeared in The New Quarterly, Carousel, subTerrain, paperplates, The Dalhousie Review, untethered, Quail Bell, The Nashwaak Review, Orbis, Snakeskin Poetry, M58, CV2, Brittle Star, Bombfire, American Mathematical Monthly, The Academy of Heart and Mind, Canadian Woman Studies, The Mathematical Intelligencer, The Canadian Journal of Family and Youth, The Journal of Humanistic Mathematics, The Beatnik Cowboy, Borderless, Literary Veganism, and more. His lit crit has appeared in Ariel, Hamilton Arts & Letters, Episteme, Studies in Social Justice, Rampike, and The /t3mz/ Review.

1 Poem tr. by Nollan Valeria

Bird Cherry Trees

Such vast expanses were created

by mockery and tedious reproaches--

for I had planted bird cherry trees,

instead of trees of apple or plum.

I recall that even my neighbor

failed to praise my endeavor:

“They’re not very pretty,

and useless except maybe for shade.

Their berries make one’s mouth constrict,

one can barely eat two dozen if one tries.

Of course, when they bloom,

they’re fragrant and exquisite,

But that lasts for just three days a year.

And then it’s over. And forgotten.

And why plant them in a yard

when they grow in forests in abundance?

But yesterday I opened the window,

or, more precisely, threw open the window,

and was met by a fairy tale in white,

and stood transfixed at the sight.

A blaze of white fire

in the faintly golden hour of dawn . . .

Oh, three bird cherry days!

Let the rest be merely summer.

Be eccentric and capricious, oh weather,

I will not be deceived . . .

Oh, three bird cherry days

to offset the drab days of the year!

Fate, direct your destinies.


I’ll have my day. And will lay my head in the earth.

Three days of the blossoming of the soul!

Pick tons of berries for yourself.


In your blossoming and rustling,

you, too, my beauty, please forgive me,

for three bird cherry days,

while all the rest—are ordinary.

I hold that morning in my memory

and ask as life’s reward:

Please--three bird cherry days—

no other days shall I require.

Original author: Vladimir Soloukhin (1924-1997)


Северные березы [Northern Birches]

(Moscow: Molodaia gvardiia, 1990)

translated from the Russian by Valeria Z. Nollan

iambic tetrameter

ten stanzas of quatrains

strick metrical form—classical

tone is elevated, solemn—

but linguistic content is deceptively informal—

Soloukhin’s trademark style—

serious, elevated

but witty and bantering, with humor

shows knowledge of colloquial language

overall—elegant

«…Дай три черёмуховых дня, А остальных уже не надо». К 95-летию со

дня рождения Владимира Алексеевича Солоухина

Рубрика "Хронограф"

«Какой простор насмешкам был,

Упрёкам тошным и сварливым,

Что я черёмух насадил,

3

Где быть бы яблоням и сливам.

Как помню, даже и сосед

Не похвалил моей затеи:

"Ни красоты особой нет,

Ни проку, кроме, разве, тени.

От ягод сразу вяжет рот,

Ну съешь десятка два от силы.

Конечно, ежели цветёт,

То и душисто, и красиво,

Но это ведь - три дня в году.

И - отцвела. И - всё забыто.

Но для чего сажать в саду,

Когда её в лесу избыток?"

Но я вчера окно открыл,

Нет, распахнул окно, вернее,

И белой сказкой встречен был

И сразу замер перед нею.

Пыланье белого огня

В чуть золотистый час рассвета...

О, три черёмуховых дня!

Пусть остальное - просто лето.

Вы не обманете меня,

Чуди, капризничай, погода...

О, три черёмуховых дня

За остальные будни года!

Судьба, пути свои верши.

И отживу. И в землю лягу.

Три дня цветения души!

Себе берите тонны ягод.

И расцветая и звеня,

И ты, красивая, прости мне,

Что - три черёмуховых дня,

А остальные все - простые.

То утро в памяти храня,

Прошу у жизни, как награды:

Дай три черёмуховых дня,

А остальных уже не надо».

(«Три черёмуховых дня»)


Bionotes

Vladimir Soloukhin (1924-1997), Russian poet, essayist, prose writer, publicist
poem originally published in Северные березы [Northern Birches] (Moscow: Molodaia gvardiia, 1990)
Vladimir Alekseevich Soloukhin was a major Russian writer of the twentieth century. Known as one of the Village Prose writers, he championed the restoration of Russian historical and cultural monuments and in his writings courageously helped to debunk the existing canonical image of Lenin.


Valeria Z. Nollan is professor emerita of Russian Studies at Rhodes College. She has published many books and articles on Russian literature and culture. Her two poetry books are Holocaust of the Noble Beasts (Goldfish Press, 2020) and In Search of Rachmaninoff (Amsterdam: Rachmaninoff Society, 2004). Her poetry has appeared in the Asheville Poetry Review, Rhodes Magazine, Tennessee Voices, Canadian-American Slavic Studies, Poetry Pacific, and Russian almanacs. Issues that her poetry engages include art, music, beauty, the environment, and the suffering—and triumph—of animals.




1 Poem by George Freek

A LACK OF REMORSE (After Su Tung Po)

My yard fills with snow.
If I wanted to, there’s
nowhere I could go.
The winds roam the street
like hungry swine,
searching for scraps to eat.
My wife is gone.
I once had a cat.
He also abandoned me.
I don’t blame him.
Like a lost violin
my life has come unstrung.
People avoid me,
and I wasn’t much fun
even when I was young.


Bionote

George Freek's poetry has appeared in numerous Journals and Reviews. His poem "Written At Blue Lake" was nominated for a Pushcart Prize. His poem "Enigmatic Variations" was also recently nominated for Best of the Net. His collection "Melancholia" was published by Red Wolf Editions.

1 Poem by Mykyta Ryzhykh

***
a woman
with tears instead of a body
digs her own grave and becomes
a small insect for big husband


Bionote

Mykyta Ryzhykh, Ukraine,  Published in the journals "Dzvin", "Ring A", "Polutona", "Rechport", "Topos", "Articulation", "Formaslov", "Colon", "Literature Factory", "Literary Chernihiv", on the portals "Literary Center ” and “Soloneba”, in the “Ukrainian literary newspaper.”

1 Poem by Cheryl A. Rice

The Ocean Continues

“I am surprised the ocean still continues.” -Anne Sexton

I too am surprised.
So much of the Island remains intact
while the Bali Hai degrades in the midst
of a parking lot full of weeds and tiny umbrellas,
and Howard Johnson’s is out of fried clams,
Black Russians reduced to chocolate sodas.
Small seafaring villages that thrived, fade,
wash up on shore again with organic trinkets
for a new generation of weekend sailors.
A flavor in the air has nothing to do with salt or fish,
inedible clams blooming in the once Great South Bay.
It is the lack of mountains that slants it all just so
despite several iterations of pavement,
prefab houses replacing postwar ticky-tacky.
Castles for the wealthy, Section 8 for
those who missed the genetic boat,
whose ancestors never moved far from
a cabin in the woods, whose
Wi-Fi reaches no further than
the outskirts of Montauk.


Bionote

Cheryl A. Rice’s poems have appeared in Home Planet News, Misfit Magazine, and Trailer Park Quarterly, among others. Recent books include Love’s Compass (Kung Fu Treachery Press), and Until the Words Came (Post Traumatic Press), coauthored with Guy Reed. Her blog is at: http://flyingmonkeyprods.blogspot.com/. Rice lives in New York’s Hudson Valley."

1 Poem by K. S. Subramanian

Forest brook

Green blossoms droop in the blaze.

Does the pitiless sun drain them of

all hope with its scorching rays?

They quake in repressed agony.

The aroma of asphalt slowly moving

In to suck the sap;

Trees, stately and daring the skies

bear an uncanny fear in their hearts;

Even their shadows appear mortal!

They harbor an unexpressed message -

manifold flora has lost its scent.

The brook gurgles quietly below.

The ambience of silence a roaring

curse on the day when it will be
a static sewage.


Bionote

K.S.Subramanian, India has published two volumes of poetry titled Ragpickers and Treading on Gnarled Sand through the Writers Workshop, Kolkata, India. His poem “Dreams” won the cash award in Asian Age, a daily published from New Delhi. He has been featured in museindia.com, run by Central Institute of Indian Languages, Hyderabad, India. His poems have also appeared in magazines, anthologies and web sites run at home and abroad. His short stories have appeared in indianruminations.com, Setumag, Tuck magazine, indianreview.in, museindia.com and Indianperiodicals.com He is a retd. senior Asst.Editor from The Hindu, India.

1 Poem by Paweł Markiewicz

Poem of not-Hindu for Goddess Krishna

full chalice and I become an existence
when your memory shines
the dreamy chalice -
I miss
and I want it
a cup without blood comes true
magic of the dew - fulfilled
I am a blissful butterfly
for your sake
you turn dew into essence
into fog over the volcano
as well as into numinous sacred cow
and I am the magic of the night
a spring and a miracle
the heart with many songs
I adore this rainbow
you paint a revelry in it
the heart of the poet
my soul - dreaming
in your dreams - memories
to this cornflower
You are your glorified soul
a rainbow of being and perfect
fleeting wings of poetry
in your soul-cave - dwarf
in this pond - mirror
your mirror loves
a melancholy
the cave darkness
the light from the moon
rest in me
in you a thousand lights
of winged being
I have found myself
in your
butterflylike heart
I will you
in the breeze
and in a seagull
of the mornings


Bionote

Paweł Markiewicz was born 1983 in Siemiatycze in Poland. He is poet who lives in Bielsk Podlaski and writes tender poems, haiku as well as long poems. PaweÅ‚ has published his poetries in many magazines. He writes in English and German.

POETRY PACIFIC (2023): Back Cover

                         

                        POETRY PACIFIC

     [volumn 12, 2023 edition]

cover art: Hana Jiang

Thursday, 5 May 2022

POETRY PACIFIC (11): COVER PAGE

  

                    POETRY PACIFIC

     [volumn 11, 2022 edition]


Dynamik: Cover Art by Velibor Baćo 
Titel: Porcelain hope
Maße: 40x50cm
Technik: Acryl auf Leinwand mit Pinsel
Jahr: 2020
Preis: € 299

links for the e.book & paperback:

PP Editors' Notes

dear All PP Patrons, 

 

hope this third annual edition of PP finds each and every one of you well and safe in this trying time!

 

first and foremost, as planned and announced last year, we have changed our Poetry Pacific from an annual online edition to a printed anthology! at the same time, we release an e.book or kindle edition of the anthology, in addition to our online publication. Given this big change, we adopt a new format: in our online edition, we feature only one or two poems from those who have more than two pieces accepted, but for artworks, such as paintings, drawings, studies and photos, we showcase them all and only in our online edition for 'better' presentation. in other words, the paperback and e.book include all the poems or word content, while the online edition samples only word content but presents all the visual artworks. 


links for the e.book & paperback:


also, good news for some authors: from now on, we are open to chapbook and full-length collection ms submissions year round. though we have no specific restrictions or "guidelines," a query (including a short proposal and literary cv) first would be greatly appreciated. 

 

another note to all submitters: while we are deeply grateful for your (continuing) support, please wait a period of four months, or at least two issues/years (in the case of acceptance by PP), before submitting new work to us. 

 

most important: as beginning from this (2022) edition, PP will be released as an annual edition both as a print anthology and an e.book. as for our website, we will continue to maintain it but only for promotional purposes; that is, we will use this site mainly to sample the content of every anthology and showcase all the accepted visual artworks in the years to come. 

 

in this annual edition, we are honored to present 66 authors and 6 artists.


happy reading/viewing,

 

with all very best wishes for this trying time... 

- eds. at PP


PP's Call for Submissions

 

SUBMISSION GUIDELINES [Revised]


WARRANTY & AGREEMENT 

By submitting to PP, the submitter warrants that 
s/he alone has created the work s/he is submitting and that 
s/he owns all rights to it. The submitter will indemnify and 
hold PP and its staff harmless from and against any and all loss,
 damage, costs and other expenses arising out of claims, 
whatever their nature, resulting directly or indirectly 
from breach of this warranty. At the same time, 
the submitter/contributor agrees that PP can use 
part or all of his/her accepted material, including responses 
to PP's interview questions, on its Facebook and/or 
other similar social networking vehicles for promotional purposes.


* All poetic and photographic works are carefully read/viewed 
year round on a rolling basis 
for PP's annual edition as a print anthology and e/kindle book, 
due out on or around 5 May;

* Multiple and simultaneous submissions, as well as previously published work, 
are all equally welcome insofar as you still hold the copy/publishing rights;

sorry, this is not a paying market, (nor can we even afford to 
provide a complimentary copy to each contributor, )
but a publication for true lovers of words and wisdom;

Please send up to 5 of your best shortish poems each time 
by pasting them all together with a brief 3rd person bio note
within the body of your email
to editors.pp@gmail.com
or visual artworks as individual separate attachments;

*  Please feel welcome to send us a query if, for instance, 
your accepted work does not appear as scheduled;

Our response-time is four months though usually much shorter than that, &
only those accepted will get a reply;

* we do not require you to mention us as the first publisher of your work,
but your mentioning would be much appreciated;

Once accepted by PP, please allow at least two years/issues
before submitting new work to us

- Many thanks for your kind support of PP & Gooooodluuuuck!

********************

for book or poetry collection/chapbook manuscript submissions 
send us a brief description together 
with a literary tv or professional bio


Basic Guidelines for Preparing a Manuscript

1.     Proofread everything carefully to make sure there are no typos, misspellings or improper uses of capitalization & punctuation marks.
2.     Single-space all the textual content;
3.     Stick to the same font, preferably ‘times new roman’ (12) for sake of conformity;
4.     Use font sizes (for titles or sub-titles), italics, boldface, underlines in a consistent and conventional fashion;
5.     Provide a cover image/photo in a separate file, if any;
6.     Include no more than 5 high-resolution illustrations (images/photos) for a chapbook, 10 for a full-length book, whose sizes should be less than 3/5 of a standard doc page (11x8.5 inches);
7.     Provide a ‘devotion page’  (optional);
8.     Provide a ‘acknowledgements’ or ‘attribution list’ page (work title, followed by publication name, & date/issue number if any);
9.     Provide a ‘table of contents’;
10.   Paginate the text of the (chap)book beginning from the first poem or first page of the prosework;
11.    Provide an ‘author page’;
12.     Provide 3 to 5 blurbs (optional)

Note: failure to comply with the above or provide a camera/print-ready ms would result in eventual termination of the publication process.

MANY THANKS FOR YOUR KIND COOPERATION!

friendly back link:: Cave Moon Press