Tuesday, 5 May 2015

2 Poems by Kristin LaFollette

Skeletons

Buried beneath layers
of muscle, inscribed with
words in black ink,

secrets that no one can
see or know.  Discernment—
a feeling that you

know people, listening
and observing, an animal
with sharp yellow eyes.

There are things that
are very difficult to hide.
Responsibility—

The art of faking it.


Imperfection

I may ride my bicycle
on a trail paved with
black, the tires
occasionally spilling
over the side, the
rubber bulging as
if it might burst, my
heart tired and sweaty
from thinking too much—

Some people take pills
for pain, or maybe for
no reason at all—

I tell you things,
an expression that
I read as contentment,

a wife pregnant with
a girl child, a seizure
bringing that child to life,
pink skin, my heart still

fighting against the heat
of the Earth, beating hard,
anatomically correct,

imprinted with a roadmap
of blue and purple and

red.


Bionote

Kristin LaFollette received her BA and MA in English and creative writing from Indiana University. Her poems have been featured in or are forthcoming from Crack the Spine Magazine, Dead Flowers: A Poetry Rag, 2River View, FIVE2ONE Magazine, LEVELER Poetry Mag, Lost Coast Review, The Main Street Rag, and The Light Ekphrastic, among others. She also has artwork forthcoming from Harbinger Asylum. She lives with her husband in northwestern Ohio.  You can visit her at kristinlafollette.blogspot.com.

1 Poem & 2 Photos by Emily Strauss

The Wind Stops Sometimes

the wind stopped after dark
and stars shone among the pine's
branches, winked into existence
and out again

the lack of wind gave them
whiter expression
the lack of wind toned the night
blacker, fed the sleep deeper

pushed the body further
down into itself
and later
when the wind returned

I rose with it under the stars
through the pines
out into dawn
over the lake bed




Bionote

Emily Strauss has an M.A. in English, but is self-taught in poetry. Over 200 of her poems appear in hundreds of online venues and in anthologies. The natural world is generally her framework; she often focuses on the tension between nature and humanity, using concrete images to illuminate the loss of meaning between them. She is a semi-retired teacher living in California.

2 Poems by Domenic Scopa

World’s End

            Written while hiking in Hingham, MA at the reservation “World’s End” on December 21, 2012—the day    that the Mayans predicted the world would end.

Perched falcon, fleeing rabbit,
Posted trail map for hikers,
Rusty bench from another era,
The seated elderly man, titled bowler cap,
Unanswered letters from Connecticut,
Overturned ceramic pots,
Sloshing waves upon the shoreline,
Windblown flakes, snapping flag,
Snow-heavy cedars slanted
Into the hillside like soldiers
Plodding on their final march.


Lot’s Wife

            By Anna Akhmatova (trans. By Domenic J. Scopa)

And Lot was trailing close behind the messenger,
Immense and bright upon a mountain, black and large.
But his wife’s heart loudly spoke, both strong and stranger:
“It’s not too late, you still can turn to face the purge

And see the crimson towers forged by native Sodom,
The square you sang in, courtyards where you danced,
The empty windows of a tall forgotten house
Where you bore children for your dearest husband.

A solitary glance—a sudden pang of crippling pang,
Her eyes no longer seeing anything at all—
Her body formed into a pillar of transparent salt—
And her quick feet rooted to the sprawling ground.

But who could mourn for this misguided woman?
Doesn’t she seem the most insignificant of losses?
Yet my heart will not forget the human,
The one who suffered death for one look back.


Bionote

Domenic Scopa is the 2014 recipient of the Robert K. Johnson Poetry Prize and Garvin Tate Merit Scholarship. He is a student of Vermont College of Fine Arts, where he studies Poetry and Translation. He has worked closely with a number of accomplished poets including National Book Award Winner David Ferry and Washington Book Prize recipient Fred Marchant. His poetry has been featured in Misfit Magazine, Poetry Pacific, Untitled with Passengers, Gravel, Crack the Spine, Stone Highway Review, Apeiron Review, Diverse Voices Quarterly, Literature Today, Tell Us a Story, Verse-Virtual, Malpais Review, Les Amuses-Bouches, and Fuck  Art, Let’s Dance.



2 Poems by Marina Romani

Seasons Quartet 
     •
ice glitters on bare branches
radiance startles  blinds
dazzle of insight
     •
cherry blossoms in spring rain
a young girl’s tears
sorrow washed in promise
     •
fields of undulate grasses
stillness vast timeless
silence of women
     •
fog ribbons mid green hills
sun-flung gold  light-shadow shimmy
city-lit spires syncopate


Springing to Autumn

In the orchards
apple blossoms
bloomed a moment,
spring rain flowed
into summer heat,
buzz of flies,
songs of birds,
games, calls of children.

Then
summer swelled,
passed to memory,
flies down,
birds flown,
games ended,
children scattered.

Now
summer songs,
distant cries, calls
linger in gardens,
echo in kitchens
as children sit,
clean and still,
in bright classrooms
and leafy green trees
speckle red apples.

Ripeness surrounds.


Biononte

Marina Romani spent her early childhood in wartime and civil-war China. Then, after several months in a refugee camp on a remote island in the Philippines followed by a year in urban Australia, she arrived in small-town California just in time to enter adolescence—as a small outsider in a world then ruled by conformity, she survived the transition with only minor damage. Marina’s adult years have been more conventionally adventurous. Now retired from a couple of marriages and as many careers, she is happily settled in Monterey, where taking oceanside walks and writing poems are two of her greatest pleasures. Marina’s recent work has appeared in Homestead Review, Porter Gulch Review, Monterey Poetry Review, and the Tor House Newsletter. Since 2008, her poems have twice been finalists in the Central Coast Writers’ annual writing contest. She is currently completing a poem and prose memoir about her unusual childhood.


1 Poem by Alicia Hoffman

Says the Angel to the Body

Before dawn’s slow encroachment
 my shape descends
to take you altogether – so wholly,
love, your body a burden I long to wear –

& yet, you always wake to reject
the very ascension you long for –


Bionote

Originally from Pennsylvania, Alicia Hoffman now lives, writes and teaches in Rochester, New York. Author of "Like Stardust in the Peat Moss" (Aldrich Press, 2013), her poems have appeared widely in journals such as Tar River Poetry, Redactions, SOFTBLOW, Camroc Press Review, A-Minor Magazine and elsewhere.  Twice nominated for the Pushcart Prize, she is currently completing her MFA in Poetry at the Rainier Writer's Workshop.

3 Poems by Rose Lu

The Heart of a Lotus

A summer lotus ready to bloom,
Is a heart wrapped in worries
Who can peel off the wrapping petal by petal
Who can call out the heart of the lotus

Oh, the hapless one, who
Either leaves in too much a hurry or comes too late

The sweet heart long in wait,
Has become a bitter lotus
The outcome can't be changed

The worries of the lotus
Have turned into
Holes with unbroken fibers

荷的心事

一朵含苞待放的夏荷
心 在心事中裹缠
谁能把裹缠片片剥开
谁能把荷的心呼唤出来

无缘的人啊
不是走得太急
就是来得太晚

甜蜜的心在等待中
化为了苦莲
结果无法改变

荷的心事
成了一孔孔的藕断丝连


A Fan

One side is spring the other autumn
You are the spring I the autumn

The spring and the autumn
On opposite sides of a paper

Or the distance
Between the corners of the world

Spring and autumn
With temperatures alike
Yet never belong
To the same season

双面扇

一面是春 一面是秋
你是那春 我是那秋

春与秋
一纸之隔 天涯之遥



春与秋
常有相同的温度
却永远不属于
相同的季节


Alley

May or June
The rain is gentle so is the wind
In the sleepy alley
Myths are written all over the walls

A woman, leaning against the window
Bathes herself in the afternoon sun
At the other end of the alley
A pair of eyes appear
Bright and hot as July

Gazing from May or June
Into the distant October or November
Beautiful lines are constantly being inscribed
On the walls in the sleepy alley

小巷

五月或许六月
细雨柔风
吹进沉睡的小巷
梦一样的神话写满一墙

一位女子 倚窗
沐浴了午后的阳光
一双明眸在巷的另一头
七月般滚烫

五月或许六月
望到十月或许十一月的远方
小巷的墙上
多了一段美丽的诗行


Bionote

Rose Lu (Bing Hua), originally name of Lihua Lu, a popular pure-hearted Chinese-American Poetess, is currently an accountant in Maryland, USA. Advisor of China Poetry, column poetess of many Literature websites abroad. She has authored the well-known anthology of poetry THIS IS LOVE, and ROSES BY THE STREAM and coauthored MORNING DEW AND DRIFTING PETALS. Popular for her beautiful,   fluent and pure style. Each poem is also a statement about her life,  that has made readers nod, smile, and shed a tear. She’s been named Rose in Poetry, Woman Sage of Love Lyrics, Angel of Poems, Queen of amatory poems, etc. 'The Heart Of A Lotus' won the Gold award in the “Love Story” world-wide Chinese poem contest in 2010; 'It's Neither Frivolous Nor Drifty' and ' A Fan' won the Award in XXXI World Congress of Poets in 2011.

5 Poems by Yuan Changming

iHooyeau

supposing Darwin was right
it did take as long as one million years
before apes became what we are, gradually
and passively, with the help of our environment
however, with our own intelligence
and technology, we are going
to evolve into iHooyeaus suddenly and
actively, in a matter of just one generation
or two, a new species that will consume
lunar energy instead of sun-based foods
each living in a unique virtual
reality, where multiplication is achieved
sexlessly via logic rather than through
love, where each individual lifetime is
expended within a tiny chip

so, are you happy to be the last humans
or the earliest iHooyeaus?


Dytiscus Larvae: Natural Drama 

One most ferocious robber in the pond
World, observes a zoologist, is a slim,
Streamlined insect called the Dytiscus larvae:
Lying in ambush on a water grass
He suddenly shoots at lightning speed
To his prey (or anything moving or smelling
Of ‘animal’ in any way, a fat tadpole, for
Instance), darts underneath it, then quickly
Jerks up his head, grabs it in his jaws
Injects his poisonous glandular secretion into it
Dissolves its entire inside into a liquid soup
And sucks as it swells up first, and then gradually
Shrinks to a limp bundle of skin until it finally falls
From his fatal kiss. Very few animals

According to the observer
Even when starved to death would attack
Let alone eat an equal-sized animal
Of their own species

But the Dytiscus does, just as man does  
Within or without a pond


Would/Wouldn’t 

If every human had a pair of wings
(Made of strong mussels and broad feathers
Rather than wax like Icarus’)
Who wouldn’t jump high or become eager to fly
Either towards the setting sun
Or against the rising wind?

Who wouldn’t migrate afar with sunshine
And glide most straight to a warmer spot
In the open space? Indeed

Who would continue to confine himself
Within the thick walls of a small rented room?

Who would willingly take a detour
Bump into a stranger, or stumble down
Along the way? More important

Who would remain fixed here
At the same corner all her life
Like a rotten stump, hopeless
Of a new green growth?



There’s No Life without an ‘If’ in It: 36 One-Word Idioms

No belief without a lie
No business without sin
No character without an act
No coffee without a fee
No courage without rage
No culture without a cult
No entrance without a trance
No epicenter without an epic
No Europe without a rope
No friendship without an end
No fundamentalism without mental fun
No heritage without a tag
No husband without an usb
No ghost without a host
No infancy without fancy
No inspiration without a ration
No manifestation without man
No millionaire without a lion
No nirvana without a van
No passage without a sage
No passion without an ass
No pharmacy without harm
No plant without a plan
No prevention without an event
No product without a duct
No recovery without something over
No sight without a sigh
No slaughter without laughter
No smile without a mile
No spring without a ring
No startle with art
No substance without a stance
No think without ink
No truth without a rut
No whole without a hole
No wife without an 'if'



On Mother's Day: for Liu Yu

Rather than composing poetry
To commemorate you after you are gone
I am now writing, dear Mom
To pay my highest tribute to you
As one of the hardest-fated on earth

Yes, among the many death experiences you’ve had
The most significant one for me (and my sons)
Was your sickness you suffered at two, which was so
Severe that your poor and ignorant foster mother
Could do nothing but put you on a flat basket
And return your living corpse to your bio-creator

But for your step father, who used his shamanic skills
To contain the evil spirit and drive it to an unknown
Corner, you would have died like a doomed sapling
(That’s why your name is changed to ‘Refound’)

So, stay well, Mom, and remain hardy for us!



Bionote


Yuan Changming, 8-time Pushcart nominee and author of 4 chapbooks including Mindscaping  [2014]), grew up in rural China, started to learn English at 19 and published several monographs on translation before moving to Canada. With a PhD in English from the U of Saskatchewan, Yuan currently co-edits Poetry Pacific with Allen Qing Yuan in Vancouver, Changming's poetry appears in 1009 literary journals/anthologies across 32 countries, including Best Canadian Poetry (2009,12,14), BestNewPoemsOnline and Threepenny Review.


1 Poem by Bruce Louis Dodson

Early Morning Riser 

Wakened at
Three thirty in the morning
Thup thup thup of rotors
Police helicopter overhead
Walk to the window
Look into the night
Fat beam of searchlight
Spidering across the neighborhood
Searching for what?
Or who?
I wonder
Did I lock the door?

Published: Page & Spine 2013 



Postcard from Amsterdam
Amst Hooker Best

Bionote

Bruce Louis Dodson is an American expat living in Borlänge, Sweden, where he practices photography and writes fiction and poetry. Some of his most recent work has appeared in: Breadline Press West Coast Poetry Anthology, Foreign & Far Away – Writers Abroad Anthology,  Sleeping Cat Books – Trip of a Lifetime Anthology, The Crucible,  Blue Collar Review, Barely South Review, 3rd Wednesday, The Path, Northern Liberties Review, Pirene’s Fountain, Sounds of Solace – Meditative Verse Anthology, Tic Toc Anthology, High Coupe, and Vine Leaves. 

1 Poem by Ajise Vincent

GLUTTONS

The gods of our land are gluttons
they eat dreams, drink hopes
then excrete diatribes
for propriety to feast on

They milk the cradle
of our present cum future
with erroneous propagandas
wirra! stockpiling for their progenies unborn

These gods have Potbellies
akin to that of pregnant women
It swerves, pendulum like.
mocking the contours of our sufferings

Their glees are produts of sorrow
Their grins, traces of our agonies

yet they are still revered by ignoramuses
who are tossed amens
like famished church rats seeking divinity


Bionote

Ajise Vincent is a Nigerian who writes poetry. His works has appeared in various print and online platforms. He is currently studying Economics at a prestigious university in Nigeria.


1 Poem by Keith Wesley Combs

invisible.

walking thru busy streets
parks, shopping malls
checking out all the pretty girls
like a dirty old bastard
undressing them with my eyes
thinking back on happier
more wild times
when I had a chance
when I could make my move
when this grey hair and wrinkles
didn't mar my face
and I could be noticed
in a world where I have
become invisible.


Bionote

Keith Wesley Combs is a union painter living in Kennewick, Washington who writes poetry and short stories. He has appeared in Main Street Rag, Pearl, Struggle, Atlantic Pacific Press and many more.

2 Poems by David Chorlton

6 o’clock

Sunlight crawls along the street,
picking out grass blades
between the long shadows
the trees cast,
until the last of it dissolves
in cooling air
and the towhee comes
to perch on a disused faucet
in the neighbor’s yard.
He alights at the same time
every day on the inches of pipe
that open to release
the first drops of darkness.
Here they come, falling slowly,
coated with rust,
until the birds have all
gone and the insomniac
traffic is guided
by the star
that hangs over the city


Daylight Saving Time

On the day in March that two AM
turns into three, the first doves

return from winter
and an hour means little to them

arriving as they do
with spring beginning two weeks earlier

this year than last
and three weeks earlier

than springs before that, all the way
back to before desert rivers

dried up in their beds;
before wolves ran to the edge

of the world and only a few
made it back to the forests.

Come October, the clocks
give back sixty minutes,

in return for what was lost
through years of poison in the water,

smoke in the sky,
and chainsaws aching as they cut.


Bionote

David Chorlton was born in Austria, grew up in Manchester, England, and lived for several years in Vienna before moving to Phoenix in 1978. Arizona’s landscapes and wildlife have become increasingly important to him and a significant part of his poetry. In September, 2015, he will participate as a poet in the Fires of Change exhibition at the Coconino Center for the Arts in Flagstaff (Sponsored by the Southwest Fire Science Consortium, the Landscape Conservation Initiative, and the National Endowment for the Arts.)

2 Poem by Seth Jani

Six Questions

If every day the white light burst
From the coded depths of things,

If the sun rose endlessly
On the shorn horizon,

If the darkness never came,

Would we finally declare
Our verdict’s useless?

Toss our armaments
Into the flame?

Begin again the tiny acts
Of living?

Share each particle of bread
Between two or three friends?

Take the shining nectar of simplicity,
Press it to our mouths?

Kiss the sadness until it’s gone?


Coin

Whatever grief settles on the tongue,
Whatever unhappy syllable springs
From the cesspools of the heart,
Whatever splintered light carries
Its wounded hull
Into the unrelenting dusk,
There may still remain a small token
At the bottom of the night,
A symbol carved in ash,
The thought of morning
Beginning to break
Through the darkened
Embassy of trees.


Bionote

Seth Jani is a poet and publisher who lives in Seattle, WA. He is the founder and editor of Seven CirclePress (www.sevencirclepress.com) and his own poems have appeared throughout the small press in places like The Buddhist Poetry Review, Foundling Review, Red River Review and Gutter Eloquence. His full-length collection Questions from the Interior was released in Summer 2014. More about him and his work can be found at www.sethjani.com.

1 Poem by Karl W. Carter

MALIBU BEACH

This day when the clouds lifted
When sun weak and pale filtered through
                             storm grey clouds
Sea gulls circled over foam wet rocks on Malibu Beach
Old men in running shoes sleep beneath
                  shopping carts
                          wrapped in tired worn blankets
Possessions wrapped in  plastic bags
Old women gaze into the dirty surf
Remembering the days on Sunset Strip
The casting calls their names in lights
A promise of fame
 a touch of fortune
A distant memory in the
                         backwater of their youth
A proposition made with tomorrow
And  like the incoming waves
                   it is gone again.

 
Bionote

Karl W. Carter, Jr. was born in New Orleans, LA and grew up in Los Angeles, CA. He
began writing poetry while attending Howard University School of Law. He is the author
of two books of poems, Sojourner and Other Poems (CreateSpace, 2010), and A Season
in Sorrow (Broadside Press, 1972) and the poetry broadside Three Poems (Broadside
Press, 1972). His poetry appears in numerous anthologies, including: Understanding the
New Black Poetry: Black Speech and Black Music as Poetic Reference (William Morrow,
1973); Synergy D.C. Anthology (Energy Black South Press, 1978); The Poet Upstairs: An
Anthology of Washington Area Poets (Washington Writers Publishing House, 1979); Off
the Record: An Anthology of Poetry By Lawyers (Legal Studies Forum, 2004); Freedom
In My Heart: Voices From the United States National Slavery Museum (National
Geographic, 2009); and Words of Protest, Words of Freedom, Poetry of the American
Civil Rights Movement (Duke University Press, 2012, ). Delaware  Poetry
Review(2013); Beltway Poetry Quarterly: (2014); Poet Lore , Fall / Winter 204; and The
Broadkill Review Vol. 8 No.4

1 Poem by Steve Myers

ELIZABETH ANN 

I remember when we came here 
To this park and lake 
And strolled and talked all afternoon. 


Don’t let me cry too soon, 
For tears dissolve all sense, 
Wash everything with pain, 
Like mist that hides the mirror of the lake, 
A dense and heavy fog set on the heart. 


But then...where can I start? 
The cocktails of cocaine, 
The morphine’s dulling strain: 
White melody, sharp tune 
Played on her screaming bones? 


I need to speak in stones: 
To drop each solid word 
Into the past: dark pool 
Where now she lies deep down 
And lost, dropped out of time. 


Now I hear no sound, 
And search the ripples for 
An image I can take 
To live with on this shore. 
I drop these stones into that silent lake. 


Bionote

Two novels published November 2014: "All In, All Out" & "A Case of Love and Squalor". "The Lady and the Wolf" to be published February 1st, 2015.

2 Poems by Ryan Francis Kelly

- - Word Problems - - 

Question 1.)

Eastford and Westford are 260 miles apart.
If Train A leaves Eastford and heads toward Westford
going 70 miles per hour
at the same time
that Train B leaves Westford for Eastford
traveling 60 miles per hour,

will you wonder, Who rides trains anymore?
Will you question why two trains
on the same rail system
are chugging along at different speeds?
Will you try to imagine 260 miles on a map,
try to picture its fatness
as Iowa, or Kansas, or the width of some other home?
Will you debate
internally
over whether Eastford and Westford
sound more like Iowan or Kansan cities?
Will you think about
their class and culture distinctions,
ponder their political climates,
or speculate the intensity
of their sports rivalries?
Will you have enough information
to know where your allegiances lie?
Will you be able to choose a ford?

Question 2.)

Margie has a limited budget of $3,500
and is responsible for buying a week's supply
of food and medication
for 24 dogs and 164 cats at a local shelter.
If the food and medication for each dog
costs twice as much as those supplies for a cat,

will you donate to Margie’s cause?
Will you answer the doorbell with your checkbook,
or draw the blinds and stoop low in your armchair?
Will Margie’s budget be larger than your bank account?
Will you scoff at organic food requests,
and refuse to acknowledge
an animal’s dietary restrictions?
Will you note the huge difference
between the number of homeless dogs and cats?
Will your heart swell with puppy love,
or will you roll your eyes
at those who prefer dogs?
Will you suspect Margie of such a preference?
Will you fantasize a hermited life
of self-sacrifice as a cat lady or gentleman,
slowly dying in solidarity
with 164 Persians, Bengals, and calicos?
Will your community’s clear bias toward dogs
make you lose faith? Will you condemn
their fondness for Stockholmed love
and unconditional, extroverted loyalty?
Will you accuse them of taking the path
of least pet-rearing resistance?
Will you find it indicative of their inability
to care for the least of their own species,
for that most human kind of animal?

Question 3.)

In three more years, Miguel's grandfather
will be five times as old as Miguel was last year.
If the sum of Miguel's present age
and half of his grandfather's present age is 58 ,

then what in God’s name will they talk about?
When Miguel is deciding whether
his newest clever thought
is better as a status or tweet,
will he know that his grandfather
once thought about something
for months without telling anyone?
When Miguel’s grandfather takes
a straight razor to his whiskers,
will he know about
his grandson’s affinity for manscaping,
for primming his privates
and detufting his armpits and chest?
When Miguel broils pixilated zombies
with Molotov cocktails,
will he know about any real wars?
Will he know the story behind
his grandfather’s prosthetic,
know about the dead friend
his grandfather dragged behind him
in a lifeboat?
Will Miguel and his grandfather be able
to find the right moments, the most transcendent words?
Or will they always hover
uncomfortably
around the cusp of the other?
When Miguel visits Las Vegas for the first time
and splurges on a private dance with a happy ending,
will Miguel’s grandfather sit
widowed and alone
in front of his MacBook,
playing online craps and blackjack?
When Miguel is getting his whiskey dick
mashed through his dress pants,
will his grandfather be examining
the laptop’s disc drive in confusion,
wondering where the hell
to stick his crisp dollar bill?

Question 4.)

Carlotta spends $35
on groceries at the market.
If this is seven dollars more
than one third
of what she spent at the bookstore,
and only two fifths
of what she spent at the salon,

will you worry about Carlotta going hungry?
Will you question her fractional priorities
when you scan her Diet Coke
and cottage cheese
at the register? Will you note
the purplish-red shade
of her lacquered talons
while she swipes her
scritchity-scratched debit card?
Will you guess Jazzberry Jam
or Beets Me or Pucker Up Plum?
Will you hope that Carlotta doesn’t eat
her delicious sounding nail polish?
Will you dread
the paperbacked bibliography
of Sparks and Albom,
stacked in the shelf of her shopping cart?
Will you scoff as the hormonal horde
of pizza-faced baggers lines up
to help Carlotta with her carry out?
Will you imagine Carlotta’s balding father,
with prominent nose hairs,
reviewing her receipts
and sighing
with a slow shake of his head?
Will you wonder
if his name is Carl,
and whether he always wished
for a Carl Jr. instead?

Question 5.)

A test has twenty questions worth 100 points.
It consists of True/False questions
worth 3 points each
and Multiple Choice questions
worth 11 points each.
If those are the only two kinds
of questions on the test,

then how will you possibly survive
this examination called life?
Will you remember your life’s decisions
as boiling down to 3 or 4 answers,
all with the same likelihood of being correct?
Will you find yourself wishing for more time,
for some more chances at D, all of the above?
Will you take sick satisfaction
in being able to answer them all with E?
Will you scratch a series of lead bubbles
through ‘None of the above’?
Will you take umbrage with the True/False
dichotomy, and question whether
you’ve ever told one or the other?
Will you recall the time
you played Two Truths and a Lie
and ended up telling Three Lies?
Will you make your T’s look like F’s
by adding a light dash
in the middle of the letter?
Will you hedge your bets in this world of Fruth,
when everything feels so utterly Talse?
Will you gawk in disbelief
as your peers finish early and go home?
Will you steal looks
at what’s left of your neighbor’s paper,
and hope they know better than you?



- - Roy G. Biv: A Master of Fine Arcs - - 

Roy G. Biv grew up wanting to be a rainbow,
and studied the subject intensively
at the Wide Spectrum Academy for Special Colors.
But after graduating from the academy summa cum mauve,
he found there wasn’t steady money in the rainbow business.
It didn’t matter to employers that he was a Master of Fine Arcs.
It turned out rainbows were only needed
in the early mornings and late afternoons,
at the exact moments the sun and rain met in the atmosphere.
Drastic changes to weather patterns in recent years
had taken a great toll on the rainbow community.
The need for their appearances dropped,
leaving little demand in an already oversaturated job market.
Rainbowing was once considered a specialized skill,
but it slowly lost its value. Modern populations became desensitized
to the point of indifference, no longer revering
the rare and majestic occurrence of a natural rainbow.

However, bows as vibrant as Roy G. Biv
occasionally stumbled into kitschy gigs in advertising, movies, or television,
where they reproduced rainbow simulacra for a mass audience.
Breaking into the business was strictly a matter of luck,
of being in the bright place at the bright time.
You usually had to know a bow who knew a bow.
But even showbows, as they came to be known, were a dime a dozen.
The vast majority fizzled in the public eye
and eventually disappeared altogether from cultural memory.
Although the rainbow from The Wizard of Oz struck gold,
most weren’t so fortunate.
There was the original bow from Reading Rainbow , for example,
who was fired after being discovered as an illiterate.
Several bows wallowed forever as extras in the mire of children’s television,
perpetually moving between skull-numbing programs
like Care Bears and My Little Pony . Some still claim royalties
from their brief time as rainbow-colored apples on old Macintosh computers,
but those vintage few are running out. Many shortsighted bows
have been fooled into contracts with Lucky Charms over the years,
which of course never ends well.

The closest Roy G. Biv ever got to a breakthrough
was a job as an extra on the Teletubbies , but it didn’t take long
for the show’s notorious Baby Sun to go prima donna,
flat-out refusing to share the sky of Teletubbyland with anyone else.

Roy G. Biv retired from rainbow action shortly after that to reassess his life plans.


Bionote 

Ryan Francis Kelly often wishes he were the Cheshire Cat, so that he could disappear and leave behind nothing but his floating grin. He can often be found catwalking the fence between accessible and askew. His writing has been published in dozens of online and print journals, including The MacGuffin , Fiction International, and The San Diego Reader . He was nominated for a Pushcart in 2013. Find out more about him at www.ryanfranciskelly.com or follow him on Twitter @RFrancisKelly.

2 Poems by D. F. Paul

Gentle

Gentle,
Come gently to the door
Where man may lose sight
Of the whispering candle glow.
Come gently, lest the wind
Of your own careless passing
Should douse the light we know.
Come gently past the flame
Of all man’s limitless hope
In the hopeless dreams he sows.
Gentle,
Lest the savage night settle in.


The Tide

She looks into the waves,
obscured in the fog.
They come to her
endlessly,
as so many others have.


Bionote

D.F. Paul is an author, poet, and photographer living in the midwestern United States. He hates more than anything talking about himself. His work can be viewed at dfpaul.wordpress.com .

1 Poem by Lynne Viti

Walking at Day’s End

Explain to me how the sea
Puts parentheses around the years
Since my father held my waist,
We jumped the waves,
And he sang off key to me.
So much time has stacked up
But I walk along at low tide,
The water here dotted with bits of red seaweed,
Feel only the water and the sand,
walk over shells of small crabs, or parts of their legs,
till the water laps up again and I see only
foam at the water’s edges.


Show me why the sea is so like
old words on the page.
Why I can read  and reread a poem
its meaning constant
text embedded deep in my neurons
though life whirls me
From single to married
childless to primagravida
to mother of two
to mother of two grown, off in the world.


Bionote

Lynne Viti, who wandered up the East Coast of the U.S. from Baltimore, stopped  awhile in New York and Connecticut and ended up in  Boston,  teaches  in the Writing Program  at Wellesley College. Her work has appeared in Sojourner, WILLA, Meat for Tea: The Valley Review, Barefoot Review, *82 Review, and at the Boston, MA  and Portland, Oregon City Halls. She blogs at stillinschool.wordpress.com

1 Poem by Cristine A. Gruber

Restoration

You’ve carried the plan
since the days of your youth,
always knowing this day would come,

this moment in time
for reparation, restitution,
restoration  … peace.

It matters not
that decades have passed,
nor does it matter the age that you’ve reached.

You accomplish
your task with skill
and precision,

a dedicated artisan,
effecting a canvas
a lifetime in the making,

and once complete,
you return home to bask
in the irony of what life has become,

thankful and appreciative
that no one in the household disturbs you
as you burn your clothing in a bonfire in the backyard.

Bionote

Cristine A. Gruber writes from sunny, Southern California. She has had work featured in numerous magazines, including: North American Review, Writer’s Digest, California Quarterly, Dead Snakes, The Homestead Review, Red River Review, The Tule Review, and The Write Place at the Write Time. Her first full-length collection of poetry, Lifeline, is available from http://buybooksontheweb.com. More of Cristine’s work can be found and enjoyed at http://sierraviewjournal.blogspot.com/

4 Poems by Mike Northen

Thanksgiving  Poem

Not Norman Rockwell but near enough:
women in the kitchen with mincemeat pies
men at pinochle around the dining room table
until tempers broke out
and we left to our own devices
combing the curiosities of our grandparents yard
the tire swing on the giant apricot tree
or sliding butt-splintered down the cellar door
as though being cousins there was some chemistry
that made such disparate children naturally bond.

It was America
in a day when everyone not born to wealth
had a ceiling made of plexiglass
and the day covered with a thin veneer of belonging
the uneasy lives behind those doors we rarely saw.

Though quieter Thanksgivings now release again
that fullness of feeling
among kitchen conversation and candied yams,
I do not mistake those ghosts
of turkey-induced satiety for better days.
I take them as my grandmother took  the
 thick-skinned grapes that grew above her porch
straining out the juice, tossing the pulp.


For My Grandson Connor

under the backporch light
maple leaves
caught in an updraft
of november air
whirl like enormous snowflakes,
a circle of fairy light
trapped in dark

last night you slid
into the world
into this seeming
daylight dance of leaves
adding your cry
to its color

this is how it should be
the old yielding to the young
my son's son
feathering his green
into the cascade of red and orange
into the circle
that spins within the dark

come, Connor
cry, feed, grow strong, join us
help us sustain each other
in the wind that buffets us
like pixie dust
beneath  our little light.


Rappahannock

Rappahannock flows through fields
Like time
Around lives
Like Coltrane
Riffing on the past
Around the tobacco farm in Farnham
Roof rotted
The wooden graves gone, gone
And it flows around a memory
Of  a grandmother’s body
Weighed down with stones…
Above the dry fields of Aberdeen
It becomes wind
The steady bass beat of hammer on hard ground
Summer dust bowl
Blowing families out to California
Moving outward to the tonic
Looking for that home key
Was there ever one?
Jazz is not return
The Rappahannock is not return
The wind is not return
Only a rhythmic sprawl
Unable to renounce its past
Growing, morphing, changing register


Little Litany

       “If you understand anything about God, he is not in it.”
               -Meister Eckhart

She is not among the pixels in the picture on my computer desktop.
She is not in the breeze blowing among the gladiolas in the yard that is no longer hers.
She is not in the memory-carrying synapses firing from nerve to nerve.
She is not even in the casket overlooking the desert park at the edge of the cemetery.
She is not in the printed words of her obituary.
She is not in the frozen soil of South Dakota or the rays of a careless California sun.
She is not anywhere to be found among the coconut and peanut butter chips of her magic bars
And even though I listen carefully, she is not in the lyrics of “Springtime in the Rockies”
Or in a silent coda of the ite misa est.
She is not.


Bionote

Michael Northen edits Wordgathering, A Journal of Disability and Literature and is co-editor of the anthology Beauty is a Verb: The New Poetry of Disability. For fourteen years he facilitated the Inglis House Poetry Workshop for writers with disabilities. He is currently working with on an anthology of disability short fiction.


1 Poem by Dah Helmer

Corrosion

There’s rust inside this dream.
What is known, what is not.
It’s morning now, flat light
through cracks.  Somehow
your lips, your hair, the wet tangle,
crosses time,
movement unfolds

the middle of summer,

fog arrives again.

Your face, your open eyes
thrive in memory, mythology.

The mind’s ledger, too many entries,
too many readers.
A familiar gloom rises, passes
and leaves its corrosion.

I am caught again.

The sky is black, gray, white. This
is how morning sounds: the crows
speak my language. In dull light
I’m faceless. A woman’s
red jacket is a burning body.

The breeze blows its flute, two notes.
A small green banner applauds then again
quietly sleeps.

What is here is all there is, a piece of
this world, this piece that’s too heavy
to lift, too corroded to carry forward.

I lift this dream anyway and try to carry it further
before the gods wake up and tell me
it’s not mine.


Bionote

 An internationally published poet, and the author of two collections of poetry from Stillpoint Books, with a third collection due in 2104, Dah’s poetry has recently appeared in The Sandy River Review, Stone Voices Magazine, Diverse Voices Quarterly, Orion headless, River & South Review, Perfume River Review, Miracle Magazine, Eunoia Review (China), Digital Papercut, and The Muse (India), and is forthcoming in Lost Coast Review, Literature Today (India), Poetry Pacific, Zygote in my Coffee, Red Wolf Journal,Deep Tissue Magazine, Jellyfish Whispers, Dead Snakes Journal, Rose Red Review, Napalm and Novocain, Empty Sink Publishing, Acumen Journal (U.K.) The Open Mouse (U.K.), and KNOT Magazine. Dah lives in Berkeley, California where he is working on the manuscript for his fourth poetry book.

1 Poem by Bill Minor

Bonaire 

My dream of heaven
is the island of Bonaire;
no other place, just there.

*
God, revealed, would be
at one with the weather: warm
trade winds gentle voice.

*
What would they say? What
all my life I’ve longed to hear:
silence within words.

*
How can that be? I
think of music which I love—
rests, pauses, subtle
lull within an avalanche
of sound, and then … enough.

*
Most of the time, just
enough is not enough for
us, so what shall I
do with this overlarge longing?
Enjoy it—not possessed.

*
Bonaire will always--
perfect blend of midnight waves
and wind--just be there.


Bionote

I have published six books of poetry, the latest Some Grand Dust (Chatoyant Press; finalist for the Benjamin Franklin Award) and nonfiction The Heart Within: An American Memoir.  A professional musician since the age of sixteen, I have recently set my poems to original music and have two CDs (For Women Missing or Dead and Mortality Suite), and, commissioned by the Historic Sandusky Foundation in Virginia to write a suite of original music to accompany a married couple's exchange of letters throughout the Civil War, I have released a third CD, Love Letters of Lynchburg.

1 Poem by Ashok Niyogi

COTTAGE

Tiptoes and whispers
Family shuffles
In depth of night
Summer morning
Enshrined in chintz
Picture views
Water-colours
And impeccable manners

Ersatz coffee in moose cups
Reindeer lurking
In carpet shadow
Floral writing on flimsy walls
Lavender curtain
Gold taps
And feminine down

Front-yard gravel nondescript
Fallen splintered log
In roughened grass
Moose and calf
Happy sandwich family milk
Hand-made paper candle-lit
Ambergris by chance
Sepia maps of dog-sled trails
Honey horse and golden filly
In reed and pink Forget-me-nots
The eagle is a whittled Cyclops
Faded in yesteryear snow
And raven swoops vibrantly large
On baby Spruce

Bed and breakfast
Before termination snow
On moon-set in tundra night
We will wait for the stars to show


Bionote

Ashok Niyogi is a wandering seeker after truth.  He was born in Kolkata in 1955 and graduated in economics from Presidency College. He lived and worked as an international trader in the USSR and Russia and his work involved extensive travel worldwide. He is now retired and lives in Delhi and California. He still travels hard and long and occasionally writes.

1 Poem by William Walters

Advice for Poets 

To get a poem published in this Muse-forsaken age,
When formless, rambling blather is clearly all the rage,
You need to go and join the club, get with these modern times—
Ignore your different drummer, be deaf to beats and rhymes.
Load lines with catachresis--antimereia galore--
And don’t put words together like they’ve ever been before.
Forget imagination; don’t try to say what’s true.
Just be obscure—you’ll sound profound—and keep the language new.
Know current fads, stay strange and safe, don’t let your work stray far,
Or don’t expect to get a thing past journals’ MFAdar.
unleash a weirded wordsong release raw thoughts that rise
like little baby bubbles to the girders of irony in the mind
poetize your furtive feelings castrated and bleeding
folded up neatly to fit into mailboxes


Bionote

Wm. Walters grew up near Liberal, Kansas (How's that for an oxymoronic placename?) and now lives near Rockford, Illinois, where he's been a professor of English and linguistics at Rock Valley College for the past twenty-five years.  He has published poems in Chiron Review and other literary magazines in the US and the UK.

1 Poem by Lowell Jaeger

                   
The Madman

Returning to the home planet
was my choice.  Maybe
not a good one.  Just curious
to see if things had changed.

I’d sailed off long ago,
after one last broadcast
of the evening news too many.
All the ranting madmen,

the bickering nonsense
of self-serving near-sighted nitwits.
While I roamed the rolling meadows
of deep space, hummed along

in the starlit black.  Heart-sick
with joy to be less than a spec
in the churning galaxies of the big
machine.  Our lives are worth less,

after all, than the breath of a snowflake.
The doctors frown, scratch notes
when I explain.  They are terrified
of my message, and have locked me away,

they say, for protection.


Bionote

As founding editor of Many Voices Press, Lowell Jaeger compiled Poems Across the Big Sky, an anthology of Montana poets, and  New Poets of the American West, an anthology of poets from 11 Western states.  His third collection of poems, Suddenly Out of a Long Sleep (Arctos Press) was published in 2009 and was a finalist for the Paterson Award.  His fourth collection, WE, (Main Street Rag Press) was published in 2010.  He is the recipient of fellowships from the National Endowment for the Arts and the Montana Arts Council and winner of the Grolier Poetry Peace Prize. Most recently Jaeger was awarded the Montana Governor’s Humanities Award for his work in promoting thoughtful civic discourse.
                                             

1 Poem by K.S.Subramanian

Crowing subsides

Damp still, sun’s rays trapped
in the womb of monsoon clouds;
As if the morning star was too
circumspect to break through the
sullen haze of uncertainty;
A herd of crows keep drilling
Into my unresponsive ears their
anxious search for morning crumbs.
Blame them not ;  they need to
see the day ease out.

Yeah!   Is the day done with buying
a sheaf of groceries, craftily spun
T-shirt,  relishing mouthfuls of
masala-laced dishes?  Or is it all
to an existence which begins in
the dark ….and ends there?

A query that peters out like vaporous
 wispy clouds;   its hue changes
before the wink of an eye.
 Uncertainty too is cloudy, empties
sooner than one can spot it.

Their crowing is down to a satiated groan now.
They or some have found their crumbs.  


Bionote

K.S.Subramanian from India has published two volumes of poetry titled Ragpickers and Treading on gnarled sand through the Writers Workshop, Kolkata, India.  His poems have appeared in several anthologies at home and abroad and web sites, notably browncritique.com, poetrymagazine.com, unesco.it, Yorick Magazine, museindia.com, synapse.net, poemhunter.com among others.

2 Poems by Mel Waldman

THE OTHER

Inside Central Park, within the Wildlife Center,
the other

watches Japanese snow monkeys
from a distance,

&
embraces his invisibility,

cupping it in crippled hands

while tourists pass by, oblivious of the tiny man
gazing at the Japanese macaques, on their island,

through the magical eye of the camera lens;
while clutching pain;

invisible man, empty, eerie, and alone,
&

far away, in the sphere of the forgotten
but still, floating in the green-brown

swirling eyes of the pink-faced mystics of joy,
Japanese snow monkeys

caressing and holding
the other

in a celestial womb,
rocking him back and forth in a mystical embrace,

seeing and loving him unconditionally
in the vanishing moment


FUCKING THE DAWN


Curled up in my womb-chair,
I taste the night,

as sweet as an old fashioned
vanilla malted,

cascading down
my swirling tongue,

&
I’m safe in the darkness,

the soothing vastness
that conceals my skin,

&
swallows my spirit,

caressing it inside
the void,

where it sleeps and resurrects
itself,

perched on a mammoth breast
of eternity,

sucking its hard nipple, and
drinking the milk and honey
of bliss.

Yes, the darkness soothes me,
but still, I fear the dawn,

for it beckons me with daylight
and expectation,
dazzling sunrise and exposure,
and naked truth.

I fear the dawn, but can I fuck it
and be free?

I dream of fucking the dawn,
opening the light,

fucking the dawn,
penetrating the sphere of opalescence,

fucking the dawn,
thrusting and thrusting and thrusting

through the veil into the flower of
creation,

the white rose of light,
fucking the dawn tomorrow


Bionote

Mel Waldman is a psychologist, poet, and writer whose stories have appeared in numerous magazines including HARDBOILED DETECTIVE, HARDBOILED, DETECTIVE STORY MAGAZINE, ESPIONAGE, THE SAINT, DOWN IN THE DIRT, CC&D, PULP METAL MAGAZINE, INNER SINS, YELLOW MAMA, and AUDIENCE. His poems have been widely published in magazines and books including LIQUID IMAGINATION, A NEW ULSTER, THE BROOKLYN LITERARY REVIEW, THE BROOKLYN VOICE, BRICKPLIGHT, THE BITCHIN’ KITSCH, CLOCKWISE CAT, CRAB FAT MAGAZINE, SKIVE MAGAZINE, ODDBALL MAGAZINE, ON THE RUSK, POETRY PACIFIC, POETICA, RED FEZ, SQUAWK BACK, SWEET ANNIE & SWEET PEA REVIEW, THE JEWISH LITERARY JOURNAL, THE JEWISH PRESS, THE JERUSALEM POST, HOTMETAL PRESS, MAD SWIRL, HAGGARD & HALLOO, ASCENT ASPIRATIONS, and NAMASTE FIJI: THE INTERNATIONAL ANTHOLOGY OF POETRY. A past winner of the literary GRADIVA AWARD in Psychoanalysis, he was nominated for a PUSHCART PRIZE in literature and is the author of 11 books. Four of his mystery, fantasy, and horror stories were published by POSTSCRIPTS, a British magazine and international anthology, in November 2014. He recently completed an experimental mystery novel inspired by one of Freud’s case studies and is looking for an agent. He has been inspired for decades by his patients and their heroic stories of trauma and survival.

1 Poem by Jeff Burt

Wood

I work with pliant wood
as the plane curls shavings
to the floor like prayer
rakes anger from my speech.

I shape, knowing
all wood cannot be limned
as shelves and planks; some
are spindles, others frames.

The ash’s grain flows
like rivers to an alluvial delta
and I rhythmic water
that breaks it as I sand.

I cannot share with you
every thought that passes.
At times, words like wood
are better sealed.

Bionote

Jeff Burt has work in or forthcoming in The Cortland Review, Story Shack, The Homestead Review, phren-Z, and Typehouse.  He won the 2011 SuRaa short fiction award, and enjoys freshly sharpened pencils, miniature plums, and the prong of a tulip breaking soil in the spring.

1 Poem by John Grey

NEW ESTATE ON THE WAY

I know what the signs mean.
Bright orange splashed on a tree
is like a middle age's plague sign.
Except everything inside this bark
is healthy.

Some are adorned in orange-red circles,
the sign of reprieve...for now.

And then there's the surveyor's stakes,
plunged into earth
like someone's been killing a sleeping vampire.
In reality, they've awakened one.


Bionote

John Grey is an Australian born poet. Recently published in Oyez Review, Rockhurst Review and Spindrift with work upcoming in New Plains Review, Leading Edge and Louisiana Literature.





1 Poem by Boghos L. Artinian

Imitating bees

Each bee does a predetermined chore
That is never considered a bore.
Thus bees are strictly slaves to the core;
So, what do we imitate them for?


Bionote

Boghos L. Artinian is a physician in private practice in Beirut since 1975. He is a graduate of the American University of Beirut MD 1968 and  MRCP(UK) 1973. He has several highly speculative scientific articles in the 'BMJ ME' and 'The Practitioner EM'  and many scientific poems in medical and literary journals. No one has yet contested his evolutionary proof that the human brain's cognitive capacity is eternally limited *

*Nature & Science; Feb 2012, Vol. 10 Issue 2, p 85

5 Poems by Shipra Agrwal

ON THE THRESHOLD

Long ago
you painted a picture for me
of a house with purple walls
somewhere between the city and the beach.
I had closed my eyes then
and heard you sing
of a love found and lost.
I tried to find it again, but
it was gone
that fleeting look of tenderness in your eyes
so was the picture
and I thought it to be
another one of my reverie.

And yet, months later
here I stand
on the threshold
of that figment of your imagination.
How did you make it real?
When did you show me the way to it?
I think I know the answers deep down...
But, what I don't know
is the way forward from here.
Should I knock on the door
or should I just walk past it?
Would you smile when you see me,
would you let me in?
and if you do
would there be a way out again
for me?


IN YOUR DREAMS

I close my eyes and try to sleep
but at times, too much peace can also keep one awake.
I seek out a sound, a flutter to peg my thoughts on,
but all I hear is the rhythm of your breath.
I touch your arm and wonder, where are you right now?

To a forgotten hiding spot in the old neighborhood
or a snow covered peak dipped in silence,
where have your dreams taken you today?
Would you have a story to tell me when you come back,
or are we writing one together in a half-imagined, half-real world?

There's a shadow of a smile on your lips that reminds me
of the whispered iloveyou, just before you fell asleep.
Would you say it again when you wake up?
Or is that what you are doing right now,
in your dreams?


LOVE LETTERS

Don't kindle the lamp, beloved,
not today..
It casts tall shadows on the wall
and makes us seem farther away.
Sit beside me, let me fathom the darkness of your eyes tonight
I pray!

Oh but it's threatening us, my love,
the Sun..
Says there won't be a dawn to this night
it will forever drown itself in the ocean.
For another moment of light in our lives, I'll burn down all timber
of reason!

The Sun is a rotten old fool, beloved,
loveless soul..
too drunk on its strength, it knows not
the power of your afterglow.
Let the darkest night befall, we'll still have the shimmer of memories
of yore!


MISCHIEVOUS LI'L IMPS

Mornings come to me with your thoughts in tow,
Vague, fleeting, half-formed thoughts you know!
I often wonder if they are a continuation of a dream,
Like a song interrupted by a far placed scream.

Just like a song heard in the morning stays with one all day
So your thoughts, mischievous li'l imps, refuse to go away.
I play with them often, and each time our laughs grow crisper,
They jump on me and sing to me and tease me with their whispers.

At times I chide them and make them sit quietly in a distant corner
But they look at me with puppy eyes till I can't ignore them any longer.
"Go back to where you come from", I tell them, "Go and ask him, will you? "
"Does he have li'l imps of his own? Does he think about me too? "


TWILIGHT

The light is fading
bit by bit
both around me
and inside.

I turn away
from the setting sun
to the shimmering lights
of the city,
they attract my attention
but repulse my soul.
And then, there is the darkness
growing stronger every minute
threatening to engulf me.

Should i run to the lights
and kill my soul?
Or should I wait for the dark
to drown it, drown it?


2 Poems by G David Schwarz

My Teeth Fall Out 
 
My teeth fall out
that was quite a whack
but that's ok
I'll just but them back


EveryBody Has a Name 
 
Every body has a name
Most before they're born
They leave up to others
To get inside and learn


Bionote

I am the former President of "Seed House", an on-line, interfaith community forum.  I also have published three books -  " A Jewish Appraisal of Dialogue" (1994),  "Midrash and Working Out Of The Book" ( 2004), and most recently "Shards and Stanzas" (2011).

1 Poem by Lana Bella

A KNITTED DAY

One morning
I woke with the sun
wearing my face and I knitted
until all the dropped stitches
and the joining ends were no
more than pale specks in the light.
Perhaps I should have spun
sideways and turned on the
kerosene lantern that lay upon
the wardrobe bay when the
thick clouds curtained
the outside dim,
instead I let the night
crocheted my dainty feet,
patched tight the
fractured skin where the
thin bone of the needle
narrowed into wool,
then it wove the
gold moon in the
strands of my
French twist
as I trailed it
behind me
to sleep.


Bionote

Lana Bella has a diverse work of poetry and flash fiction published and forthcoming with Anak Sastra, Atlas Poetica, Bewildering Stories, Beyond Imagination, Buck-Off Magazine, Calliope Magazine, Eunoia Review, Cecil's Writers' Magazine, Deltona Howl, Earl of Plaid Lit, Family Travel Haiku, First Literary Review-East, Foliate Oak Literary, Garbanzo Literary Journal, Global Poetry, Ken*Again, Kind Of A Hurricane Press, Marco Polo Arts Literary, Nature Writing, New Plains Review, The Commonline Journal, The Higgs Weldon, The Voices Project, War Anthology: We Go On, Thought Notebook, Undertow Tanka Review, Wordpool Press, Wilderness House Literary Review, Featured Artist with Quail Bell Magazine, and now, Poetry Pacific. She resides on some distant isle with her novelist husband and two frolicsome imps.

1 Poem by Michele Alice


I.  

Aerobics 101


Isn't there some law

            about the conservation

                          of energy?



II.


Net

neutrality?  You mean

like beige?



III.


Arsenic.

Water.

Compromise.




IV.


Diogenes

wanders Washington,

D.C. - futilely?


Bionote

Born Detroit, Michigan; Philosophy major University of Arizona; compulsive need to write in support of my careers in waitressing, security guarding, and libertarian soap-boxing.

1 Poem by Barbara Ann Meier

Glass Jars In Root Cellars

What good is it to open jars
long-sealed on cellar shelves?
Rimmed in dust,
and encrusted in spider eggs?

If I took them off the cellar shelf-

(shuddering at the wispy touch of mummy silk)

would light reveal preserves or rot?

Could I hear the hallow sound
if I pinged the lid with my knuckle?

Would the dull thud reveal  sooty strings of decay?

A seal broken by the years?

a stench of you long gone in the ground….

Or could I hold it to a light,
swinging on the end of a chain,
where the memories would be rich ruby red.

I’d climb the planks
of stairs,
feel the breath of cellar rock
at the nape of my neck.

I’d stride to the light,
and hold the memories high.

Maybe then to examine for cracks,
leaks of air, bulging sides.
Sniff for foul.

Would the memories hold with examination?
Or would the first touch of air dust the insides?

Just as I am sure your body now resides in dust…

I take the church key,
apply with surgical precision,
pry the lid back,
and wait…

Whiffs of crème de mint, Tanqueray, Oreos,
flypaper spit, and cigarette smoke,
on a late night prairie train…
with the Perseids
showering us in August,
melting across a Kansas sky.

Then they are extinguished…

burnt up….

Like we are long since dead,
you in your coffin,
and I in my glass jar memories…


Bionote

Barbara A Meier is a First Grade teacher in Medford, OR.  After her marriage ended after 33 years she began to write again. She recently received a scholarship to the South Coast Writers Conference in Gold Beach, Oregon.  Her poem "Woman" will be published online on the Ancient Pathways Facebook page in June.



1 Poem by Stacey Margaret Jones

Pale

The white bark dissolves
in fog. Osmosis almost
takes the watchful eyes
off trees into thicket
air. The fall-leaf confetti
floats treetops above
the bushtops, on tall
pale pickets over the forest
floor. Frost would bend

And sway here, flirting
with but not finding
danger. Boys!
Discovering peril
in the peaceful, pale
lines of the quietest copse.
Trees bunch
together
like the Burghers of Calais,
mimicking ghostly grove
committees in a dense
plant paradise.


Bionote

Stacey Margaret Jones lives in Conway, Arkansas. She is in her third and final year of the Arkansas Writers MFA Program at the University of Central Arkansas and has earned her master’s degree from Syracuse University and her bachelor’s degree from Northern State University in Aberdeen, South Dakota. She writes poetry, fiction and nonfiction and is a columnist for Sporting Life Arkansas as well working as an independent market research consultant. Her poetry has been published in Five Poems, Shelterbelt, North Coast Review, Slant, Ariel and Agave, and her short fiction has appeared in Bewildering Stories and Unbraiding the Short Story (an anthology).

1 Poem by Rodger Martin

Benediction
American Rural

(In conjunction with Rachmoninov’s Hymn of the Cherubim)

Sweet glycerin of evening

descending
into the purple cup
of night,
dark wine
of the rocking cradle,
solitude’s embroidery;
bring forward
the receding galaxies,
pass onto this globe
the shade of planets,
open quietly
the satin arms
of the moonflower,
let its limbs
embrace and perfume
these opals of the sky.

Evening resin

cure us
with your clarity
that we wake,
wide-eyed as children
to the clover
and the hushed breeze
of this Earth,
to the soft pulse
of its wrist,
and the slight smile
brought with its breath.


Bionote 

Rodger Martin’s third poetry volume, The Battlefield Guide , (Hobblebush) uses locations on battlefields of the Civil War to reflect upon America today. Small Press Review selected The Blue Moon Series (Hobblebush), as its bi-monthly pick of the year.  A translation of his work, On The Monadnock, appeared in China in 2006.    He received an Appalachia poetry award, a N.H. Council on the Arts Fiction Fellowship, the Bruce Kedller/Monadnock Fellowship to pursue his writing and fellowships from The National Endowment for the Humanities.  In 2012 he was chosen as poet to represent the U.S. at Hangzhou, China’s annual international cultural festival.  He serves as co-editor for The Granite State Poetry Series and teaches journalism at Keene State College.

2 Poems by Jonathan Dick

the erratic sounds of pencil shavings

i watch the boy throwing dreams, like bad stars
slamming into the crystal ocean, creamy
sand revealing his newborn feet, like secrets
splashing in the corduroy, waves are pointed
toes watching from far away, newborn trees
and videos embellishing the silent, score of home
reminiscing on the lost art of nostalgia, facing backwards
watching the tides reverse themselves into the oblivious horizon,
beckoning a father forward requesting the voice, teaches
boy to throw dreams into rocky oceanic, family
glory on the summer morning, this boy is not
me crying, or devouring the universe.


devour the universe

as i slept christ-like, the tentacles
of oblivion bound my consciousness
and the only discernible reality was
the pulsating darkness of my mind.

succumbing to the void was the only
opportunity to explore the depths
of my dreams. so i slipped into the
verisimilitude, and all my nothingness
became a sloshing singularity of power
unleashed by the fever
of god. my mind is too much with me,
i swear it by the air, and my words
are the mockery of mist. so blame
me for the downfall and for the uproarious
leonine decimation of the mathematical
constants of infinite human humility.

blame me, if you want to, for i am
the suffering idiot staring at his own
identity within the dilated pupils of millennial
reason. blame me for the truth
that is written between the lines of my grooved
aching forehead. a headache upon us all
if we cannot devour the universe.


Bionote

Jonathan Dick is 21 years old and hails from Toronto, Canada. He is graduating this year from Huron University College with a major in English Language and Literature. Jonathan has been published in The Commonline Journal and will also be published at the end of May in The Write Place at the Write Time. 

2 Poems by J. K. Durick

Alone

First there's door sounds
Opening       in the distance
then
the whoosh of closure

closed
the silence holds your breath
hushed
anticipates

next
the steps' sound
anticipates

slow sidesteps or tiptoe
just touching on a threat
or a rush at you

even a voice calling a name
any name at all

something
a bell could ring

anything to complete this sequence
satisfied.

                                                                                             
Solitaire

It sinks softly into the routine,
goes almost unnoticed, but
after hours and hours of it,
it becomes all art, all music,
all the books.
It becomes design and completion,
the beginning, middle, and end
of everything I’ve ever done,
the sum of civilization, my answer
to the eternal questions,
the furthest outpost of my mind.


Bionote

J. K. Durick is a writing teacher at the Community College of Vermont and an online writing tutor. His recent poems have appeared in Camel Saloon, Black Mirror, Milo Review, Eye on life Magazine, and Leaves of Ink.


3 Poems by L. G. Corey

THE UNMOVED MOVER 

The shadow in the woodshed
sees without being seen,
hears without being heard,
touches without being touched. 

The shadow at the top of the stairs,
the shadow in the closet,
the shadow gathering dust in the attic 

scratch at the doors,
snuffle behind the closed doors,
spy through the keyholes of locked doors. 

They smell our thoughts,
taste our feelings,
suck out our eyes. 

"Bring out the dead!" 

they cry from the woodshed,
from the top of the stairs,
from behind the locked doors. 

"Bring out the dead!" 

they call from the attic.
(Gathering dust in the attic.) 

And they write on the mirrors,
they write on the walls,
they write on our foreheads, 

while we smile in our sleep
and the cracked egg falls. 


KINDERTOTENLIEDER 

      In Memory of Gustav Mahler 

Under the under.
Above the above. 

A hand touches.
A word startles. 

Empty nests
hang from branches
like bitter fruit. 

And what remains
fills the vacuum
of an open mouth crying, 

Woe! Woe! 

and a poisoned well
where the children drink. 

And bread
coming up from the ground
to grab its brother Cain by the wrist. 

Dead swans and dying crows
litter the lily ponds
where once there were toads
croaking jub-jub to dirty ears 

that heard nothing,
understood nothing 

except a far off cricket
in a bamboo cage, 

and the open mouth
of a poisoned well wailing, 

Woe!
Woe!
Woe! 


THE LAWS OF PHYSICS 

A body in motion
tends to stay in motion 

on another motionless body 

floating, motionless,
at the bottom of a puddle
of sea-foam floating
to the surface of the sea, 

endlessly rocking.


Bionote

L. G. Corey has published one poetry collection, The Kalidas Verses, last February. Another, Rats’ Alley Poems (which takes its title from The Wasteland by T.S. Eliot, to whom the collection is dedicated), will be published sometime in early 2016.

In addition, his work appears in literary magazines such as Chaffey Review, Empty Sink, Snapping Twig, Corvus, Screech Owl, Hot Tub Astronaut, and Pif. Over the years it’s also been published in Evergreen Review, Beloit Poetry Journal, Midstream, Choice, the Critic, and Zeek.

Larry turned 80 last November.