|Cover Art: Concrete Painting by Mario Loprete|
dear All PP Patrons,hope this second annual edition of PP finds each and every one of you well and safe in this almost ever-lasting battle agasint covid-viruses!
I live in a world that I shape at my liking. I do this through virtual, pictorial, and sculptural movements, transferring my experiences and photographing reality through my mind’s filters. I have refined this process through years of research and experimentation.
Painting for me is my first love. An important, pure love. Creating a painting, starting from the spasmodic research of a concept with which I want to transmit my message this is the foundation of painting for me. The sculpture is my lover, my artistic betrayal to the painting that voluptuous and sensual lover that inspires different emotions which strike prohibited chords.
This new series of concrete sculptures has been giving me more personal and professional satisfaction recently. How was it born? It was the result of an important investigation of my own work. I was looking for that special something I felt was missing.Looking back at my work over the past ten years, I understood that there was a certain semantic and semiotic logic “spoken” by my images, but the right support to valorize
their message was not there.
The reinforced cement, the concrete, was created two thousand years ago by the Romans. It tells a millennia-old story, one full of amphitheaters, bridges and roads that have conquered the ancient and modern world. Now, concrete is a synonym of modernity. Everywhere you go, you find a concrete wall: there’s the modern man in there. From Sydney to Vancouver, Oslo to Pretoria, this reinforced cement is present, and it is this presence which supports writers and enables them to express themselves.
The artistic question was an obvious one for me: if man brought art on the streets in order to make it accessible to everyone, why not bring the urban to galleries and museums? With respect to my painting process, when a painting has completely dried off, I brush it with a particular substance that not only manages to unite every color and shade, but also gives my artwork the shininess and lucidity of a poster (like the ones we’ve all had hanging on our walls).
For my concrete sculptures, I use my personal clothing. Through my artistic process in which I use plaster, resin and cement, I transform these articles of clothing into artworks to hang. The intended effect is that my DNA and my memory remain inside the concrete, so that the person who looks at these sculptures is transformed into a type of postmodern archeologist, studying my work as urban artefacts.
Links to the socials
AubadeLight pulls at the curtains with unsteady fingers,
NostalgiaNostalgia – my most ready and dispensable currency, rain
—to Qu YuanIn no time summer solstice has arrived;
Every Youthful MomentPaving his own
1. now the nighta calming storm
Between Yin & Yang: All Set to See
1/ Yin: The Mare in the Rain
Standing still on a huge rock
The pale horse holds its head high
As if it had been running fiercely
On a wild prairie, looking up afar
To the most distant mountain
Its eyes glittering as raindrops
Keep falling from heaven
Straightly down to hell, &
Water-carving its paleness
Into a demonic statue of history
2/ Yang: The Pause for (R)e.volution
Long long before long ago, Earth
Was originally set within a koru
Unfurling at every antlike moment
Directly towards the sun, until
Now it is too overloaded
With evil spirits & viruses
To continue revolution as it
Tries to return to itself
Sonneting to the Other Side of Night
Since yester twilight
Along the borderline of darkness
With fits of thirst & hunger
Among storms of pain
Under attacks of evil spirits & viruses
Between interludes of insomnia
Beyond both hope & expectation
At the depth of darkness
Amidst the nightmare
Through one tiny antlike moment
Against deadly despair
To the first ray of dawn
All That Glitters
Is not just gold, but also the teeth chewing
The bitterness of life at twilight; the bones
Excavated from a lost civilisation; the roof
Tiles glazed with the rain of last night; &
The rock standing firm in the gurgling stream
The broken mirror in the debris of history; &
The disk hung like a scarecrow in the garden
The wings of a raven flying in the storm; &
The coal close to a furnace; the forehead
Of my late father in my dream; as well
As the scales of a fish jumping out of water
Against the starlight; the glacier protruding
From an unknown peak among Rocky Mountains
Or, the eye looking beyond the darkness of tonight
Getting Along: A Bilingualcultural Poem
In Chinese, 朋友，恋人，& 爱人 are all
12-stroked characters, just as their counter-
Parts friend, couple & spouse are 6-lettered
Words in the imperial vocabulary of English
Though they are all underlined with human
Love and loyalty, the former entails twice
As much input or effort of the heart
As the latter to maintain a disparately
Similar humane relationship as a speech act
In Self-Isolation (against Covid-19):
‘I Want to See You'
Says Bell to his assistant when he was making
The first human call over a telephone, ‘Not even
Your video, much less your picture,’ one of his
Descendants might echo. But it’s the authentic
Presence flowering out of your inner being
That can satisfy my skin hunger, allowing
Me to sniff at the space and time your body
Occupies, to inhale the same air released
From the grove along the stream that I want to
Look at, to be with you in a full contact sport
Of feel instead of a spectator one even though we can
Never make love on the one & same antlike timespot
Yuan Changming, 11-time Pushcart nominee and 9-time winner of poetry awards, is probably the world's most widely published contemporary poetry author who speaks Mandarin but writes English. Growing up in an isolated Chinese village, Yuan started to learn the English alphabet in Shanghai at age nineteen and authored several monographs on translation before leaving his native country as an international student. With a Canadian PhD in English, Yuan currently lives in Vancouver, where he edits Poetry Pacific with Allen Yuan. Since mid-2005, Yuan has had poetry appear in more than 1,800 literary outlets across 46 countries, which include Best Canadian Poetry (2009, 2012, 2014), the Best of the Best Canadian Poetry (2008-2017) & BestNewPoemsOnline. In 2021, Yuan published his first poetry collection in Chinese《袁昌明诗选》and served on the jury for Canada’s 44th National Magazine Awards (poetry category).
Poetry collections by Yuan Changming:
1. Chansons of a Chinaman [Paperback]. Murfreesboro, TN: Leaf Garden, 2009.
2. Landscaping [Paperback]. San Jacinto, CA: Flutter Press, 2013.
3. Mindscaping [e.chapbook]. Halifax: Fowlpox Press, 2014.
4. Origin of Letters [e.chapbook]. Beard of Bees Press (US), May 2015.
5. Kinship [Paperback] Seattle: Goldfish Press, May 2015.
6. Wordscaping [e. Chapbook]. Halifax: Fowlpox Press, 2016.
7. Dark Phantasms [Paperback]. San Jacinto, CA: Flutter Press, 2017.
8. East Idioms [e.chapbook]. Cyberwit.net, 2019.
9. (R)e.volution [Paperback]. LA: the Wapshott Press, 2021.
10. 《袁昌明诗选》(Selected Poems of Yuan Changming: 2005-2020) [e.book/kindle edtion]. Vancouver, Poetry Pacific Press, 2021.
Delinquencies: Poems from the Sonnet Cycle SubrevisionsAt night the samelike houses take new forms—
Lavana Kray is from Romania. She is passionate about writing and photography. Nature and the events of her life provide ideas and inspiration for writing. Her work has been published in many print and online journals. She joined the United Haiku and Tanka Society, as Haiga Editor of its journal Cattails.
A Visit to the Bank
A Busy Ferry
CREDO QUIA ABSURDAM EST--Tertullian
Or runaway truck ramps.
Darkening Grant Park
From One Night to the Next(After reading a line from an E. E. Cummings poem:
Yellow Brick PilgrimI kneel in the cornfield
Carl Scharwath, has appeared globally with 150+ journals selecting his poetry, short stories, interviews, essays, plays or art photography (His photography was featured on the cover of 6 literary journals.) Two poetry books 'Journey To Become Forgotten' (Kind of a Hurricane Press).and 'Abandoned' (ScarsTv) have been published. His first photography book was recently published by Praxis. Carl is the art editor for Minute Magazine, poetry editor for TL Publishing Group, a competitive runner and 2nd degree black- belt in Taekwondo.
TROUBLE IN RIVER CITY”